| 28.4.2009 | A comparative study on short stories by Edgar Allan Poe and Nikolai Gogol |
Auður Eva Guðmundsdóttir 1980
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| 8.1.2010 | ‘Gotta dance!’ How the Hollywood Musical Danced its Way to an Artform |
Ólafur Páll Einarsson
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| 10.5.2011 | "I'm not in the mood for a party tonight." The Orwellian Roots of the Pinteresque |
Magnús Teitsson
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| 10.5.2011 | In Space, No One Can Hear You Scream 'Authorship!' The Shift of Authorship in the Alien Franchise from the Producer to the Director to the Star |
Erlingur Grétar Einarsson
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| 10.5.2011 | It Is Always Darkest Before the Dawn. A discussion of three adaptations based on the works of Philip K. Dick |
Ásta Arnardóttir
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| 10.10.2008 | Jane Austen’s Persuasion: Major and minor characters |
Ragnhildur Nielsen
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| 11.5.2009 | John Steinbeck's characters. Representing different social and political groups |
Rúnar Örn Sævarsson
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| 9.5.2012 | Modernizing Shakespeare’s Richard III: Observations on a Number of Recent Adaptations |
Kolbrún Gunnarsdóttir 1989
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| 6.1.2010 | Mythology to Film: The importance of the Homeric poems to O Brother Where Art Thou |
Sveindís Ýr Sveinsdóttir
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| 28.4.2009 | Shakespeare’s heroines: An examination of how Shakespeare created and adapted specific heroines from his sources |
Lilja D. Schram Magnúsdóttir
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| 10.9.2010 | Slaying Literature: Metaphor and Characters in Buffy the Vampire Slayer |
Óskar Örn Eggertsson
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| 15.9.2010 | The Art of Storytelling in The New York Trilogy |
Jennifer McNamara
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| 9.5.2012 | The Censorship of Enid Blyton in Two of Her Novels. The Island of Adventure and Five on a Treasure Island |
Magnús Björgvin Guðmundsson 1986
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| 9.5.2012 | The Function of Music in Norwegian Wood, from page to screen |
Searles, Alan 1970
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| 28.4.2009 | The prince and Utopia: The influential dialogue |
Hannes Rúnar Hannesson
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| 18.5.2009 | To Kill a Wife with Kindness: Early modern marriage in Shakespeare's The Taming of the Shrew |
Ásta Andrésdóttir
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| 20.1.2012 | Variety of Death Scenes in Dickens - in books and on screen |
Aðalbjörg Halldórsdóttir 1988
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| 10.9.2010 | Wordsworth's Ballads in Lyrical Ballads 1798, Inspirations and Ideas behind Wordsworth's ballads |
Freydís Ósk Daníelsdóttir
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| 10.5.2011 | "You lovely whore." The Portrayal of Women in Harold Pinter’s Plays Night School, The Lover and The Homecoming |
Guðrún Baldvina Sævarsdóttir
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