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BirtingHækkandiTitillRaðanlegtHöfundur(ar)
10.10.2008Jane Austen’s Persuasion: Major and minor characters Ragnhildur Nielsen 1975
28.4.2009The Prince and Utopia: The influential dialogue Hannes Rúnar Hannesson 1982
28.4.2009A comparative study on short stories by Edgar Allan Poe and Nikolai Gogol Auður Eva Guðmundsdóttir 1980
28.4.2009Shakespeare’s heroines: An examination of how Shakespeare created and adapted specific heroines from his sources Lilja Dögg Schram Magnúsdóttir 1981
11.5.2009John Steinbeck's characters. Representing different social and political groups Rúnar Örn Sævarsson 1985
18.5.2009To Kill a Wife with Kindness: Early modern marriage in Shakespeare's The Taming of the Shrew Ásta Andrésdóttir 1976
6.1.2010Mythology to Film: The importance of the Homeric poems to O Brother Where Art Thou Sveindís Ýr Sveinsdóttir 1978
8.1.2010‘Gotta dance!’ How the Hollywood Musical Danced its Way to an Artform Ólafur Páll Einarsson 1983
10.9.2010Wordsworth's Ballads in Lyrical Ballads 1798, Inspirations and Ideas behind Wordsworth's ballads Freydís Ósk Daníelsdóttir 1982
10.9.2010Slaying Literature: Metaphor and Characters in Buffy the Vampire Slayer Óskar Örn Eggertsson 1986
15.9.2010The Art of Storytelling in The New York Trilogy McNamara, Jennifer, 1976-
10.5.2011It Is Always Darkest Before the Dawn. A discussion of three adaptations based on the works of Philip K. Dick Ásta Arnardóttir 1980
10.5.2011"You lovely whore." The Portrayal of Women in Harold Pinter’s Plays Night School, The Lover and The Homecoming Guðrún Baldvina Sævarsdóttir 1980
10.5.2011In Space, No One Can Hear You Scream 'Authorship!' The Shift of Authorship in the Alien Franchise from the Producer to the Director to the Star Erlingur Grétar Einarsson 1982
10.5.2011"I'm not in the mood for a party tonight." The Orwellian Roots of the Pinteresque Magnús Teitsson 1972
20.1.2012Variety of Death Scenes in Dickens. In books and on screen Aðalbjörg Halldórsdóttir 1988
8.5.2012The Stolen Generations. Racial Discrimination and the Reclamation of Identity in Doris Pilkington Garimara's Follow the Rabbit-Proof Fence Jóna Guðrún Guðmundsdóttir 1967
8.5.2012Breaking the silence. The search for a voice in Alice Walker‘s The Color Purple Sigrún Tinna Sveinsdóttir 1987
9.5.2012Modernizing Shakespeare’s Richard III: Observations on a Number of Recent Adaptations Kolbrún Gunnarsdóttir 1989
9.5.2012The Function of Music in Norwegian Wood, from page to screen Searles, Alan, 1970-
9.5.2012A Confederacy of Dunces and the picaresque: generic considerations Friðrik Sólnes Jónsson 1979
9.5.2012The Censorship of Enid Blyton in Two of Her Novels. The Island of Adventure and Five on a Treasure Island Magnús Björgvin Guðmundsson 1986
11.9.2012Don't judge a book by its cover: The Camp and Queerness of Rocky Horror Picture Show Bjarni Snæbjörnsson 1978
21.1.2013A Generic Study of The Man Who Fell to Earth by Walter Tevis Kristinn Geir Friðriksson 1971
10.5.2013Cross Over and Duality. Murakami’s Integration of the Fantastical into the Ordinary Nandabhiwat, Natsha, 1986-
10.5.2013From Snow White to Tangled: Gender and Genre Fiction in Disney's "Princess" Animations Íris Alda Ísleifsdóttir 1988
20.1.2014"More Human than Human." Race, Culture, and Identity in Cyberpunk Alexandra Mjöll Young 1990
2.5.2014Giulietta's Dilemma. An Adaptation and Its Composition Katrín Vilborgardóttir Gunnarsdóttir 1987
12.5.2014Blaxploitation Unchained: An historical analysis of Blaxploitation and how Django Unchained fits within the Blaxploitation cycle Dupree, Marvin Lee, 1980-
12.5.2014Heteronormative Villains and Queer Heroes: Queer Representation in the Films of John Waters Ásta Karen Ólafsdóttir 1990
4.10.2014The Waste Land Motif in Jean Raspail's Sept Cavaliers and Stephen King's The Dark Tower Series Favero, Véronique, 1986-