Aðilar að Skemmunni

Leit eftir:

Ritgerðir með leiðbeinandann 'Regal, Martin S., 1951-'í allri Skemmunni>Leiðbeinendur>

28.4.2009A comparative study on short stories by Edgar Allan Poe and Nikolai Gogol Auður Eva Guðmundsdóttir 1980
9.5.2012A Confederacy of Dunces and the picaresque: generic considerations Friðrik Sólnes Jónsson 1979
11.5.2015Adapting Traditional Chinese Culture in Amy Tan´s The Joy Luck Club Xinyuan Zhang, 1988-
21.1.2013A Generic Study of The Man Who Fell to Earth by Walter Tevis Kristinn Geir Friðriksson 1971
12.5.2014Blaxploitation Unchained: An historical analysis of Blaxploitation and how Django Unchained fits within the Blaxploitation cycle Dupree, Marvin Lee, 1980-
8.5.2012Breaking the silence. The search for a voice in Alice Walker‘s The Color Purple Sigrún Tinna Sveinsdóttir 1987
10.5.2013Cross Over and Duality. Murakami’s Integration of the Fantastical into the Ordinary Nandabhiwat, Natsha, 1986-
11.9.2012Don't judge a book by its cover: The Camp and Queerness of Rocky Horror Picture Show Bjarni Snæbjörnsson 1978
10.5.2013From Snow White to Tangled: Gender and Genre Fiction in Disney's "Princess" Animations Íris Alda Ísleifsdóttir 1988
2.5.2014Giulietta's Dilemma. An Adaptation and Its Composition Katrín Vilborgardóttir Gunnarsdóttir 1987
8.1.2010‘Gotta dance!’ How the Hollywood Musical Danced its Way to an Artform Ólafur Páll Einarsson 1983
12.5.2014Heteronormative Villains and Queer Heroes: Queer Representation in the Films of John Waters Ásta Karen Ólafsdóttir 1990
10.5.2011"I'm not in the mood for a party tonight." The Orwellian Roots of the Pinteresque Magnús Teitsson 1972
10.5.2011In Space, No One Can Hear You Scream 'Authorship!' The Shift of Authorship in the Alien Franchise from the Producer to the Director to the Star Erlingur Grétar Einarsson 1982
10.5.2011It Is Always Darkest Before the Dawn. A discussion of three adaptations based on the works of Philip K. Dick Ásta Arnardóttir 1980
10.10.2008Jane Austen’s Persuasion: Major and minor characters Ragnhildur Nielsen 1975
11.5.2009John Steinbeck's characters. Representing different social and political groups Rúnar Örn Sævarsson 1985
9.5.2012Modernizing Shakespeare’s Richard III: Observations on a Number of Recent Adaptations Kolbrún Gunnarsdóttir 1989
20.1.2014"More Human than Human." Race, Culture, and Identity in Cyberpunk Alexandra Mjöll Young 1990
6.1.2010Mythology to Film: The importance of the Homeric poems to O Brother Where Art Thou Sveindís Ýr Sveinsdóttir 1978
28.4.2009Shakespeare’s heroines: An examination of how Shakespeare created and adapted specific heroines from his sources Lilja Dögg Schram Magnúsdóttir 1981
10.9.2010Slaying Literature: Metaphor and Characters in Buffy the Vampire Slayer Óskar Örn Eggertsson 1986
15.9.2010The Art of Storytelling in The New York Trilogy McNamara, Jennifer, 1976-
9.5.2012The Censorship of Enid Blyton in Two of Her Novels. The Island of Adventure and Five on a Treasure Island Magnús Björgvin Guðmundsson 1986
9.5.2012The Function of Music in Norwegian Wood, from page to screen Searles, Alan, 1970-
28.4.2009The Prince and Utopia: The influential dialogue Hannes Rúnar Hannesson 1982
8.5.2012The Stolen Generations. Racial Discrimination and the Reclamation of Identity in Doris Pilkington Garimara's Follow the Rabbit-Proof Fence Jóna Guðrún Guðmundsdóttir 1967
4.10.2014The Waste Land Motif in Jean Raspail's Sept Cavaliers and Stephen King's The Dark Tower Series Favéro, Véronique, 1986-
18.5.2009To Kill a Wife with Kindness: Early modern marriage in Shakespeare's The Taming of the Shrew Ásta Andrésdóttir 1976
20.1.2012Variety of Death Scenes in Dickens. In books and on screen Aðalbjörg Halldórsdóttir 1988
10.9.2010Wordsworth's Ballads in Lyrical Ballads 1798, Inspirations and Ideas behind Wordsworth's ballads Freydís Ósk Daníelsdóttir 1982
10.5.2011"You lovely whore." The Portrayal of Women in Harold Pinter’s Plays Night School, The Lover and The Homecoming Guðrún Baldvina Sævarsdóttir 1980