| 10.5.2010 | "...A Certain Step Towards Falling in Love." Jane Austen’s Use of Dancing in Sense and Sensibility, Pride and Prejudice and Emma. |
Hildur Friðriksdóttir
|
| 20.9.2010 | A Cold Blooded Murderer Calls For a Revision. Rick Altman's Subgenre Division of the American Film Musical |
Sigrún Karlsdóttir
|
| 28.4.2009 | A comparative study on short stories by Edgar Allan Poe and Nikolai Gogol |
Auður Eva Guðmundsdóttir 1980
|
| 9.5.2012 | A Confederacy of dunces and the picaresque: generic considerations |
Friðrik Sólnes Jónsson 1979
|
| 20.1.2012 | "A history of wrong." Post-colonial and feminist concerns in J.M. Coetzee's Disgrace |
Hjördís Erna Þorgeirsdóttir 1985
|
| 28.5.2010 | "All I Want Is Everything." Alice Munro's Lives of Girls and Women and Margaret Laurence's The Diviners |
Martyna Łozińska
|
| 10.5.2011 | A Mother's Love. A Lacanian Psychoanalysis of Samuel Beckett's Rockaby |
Dagbjört Vésteinsdóttir
|
| 10.5.2011 | Animal Instincts and the Canadian Beast. Reflections on Sex, War and Survival in Timothy Findley's Not Wanted on the Voyage |
Brad Sykes
|
| 20.9.2010 | A Phonological Study of Icelandic Pronunciation of English: Plosives and Aspiration |
Tinna Steindórsdóttir
|
| 4.5.2012 | Apprentice and Mentor?: The Influence of Victorian Women Writers Analysed Through the Relationship and Works of Elizabeth Gaskell and Charles Dickens |
Hrafnhildur Haldorsen 1985
|
| 7.5.2010 | A Provoked Restoration Lady. A Study of Vanbrugh's Lady Brute in The Provoked Wife |
Grétar Rúnar Skúlason
|
| 31.1.2009 | Are fairy tales only children's stories? A discussion of the use of fairy tales as a literary genre |
Ditte Rysgård Kronborg
|
| 11.1.2010 | "A spring of love gushed from my heart, And I blessed them unaware." The Ancient Mariner´s Acceptance of the Absurd |
Julia Elisabeth Knezevic
|
| 5.5.2009 | Assessing English Learning in Iceland. A Study of Assessment Methods Used in Icelandic Primary and Secondary Schools |
Birna Margrét Arnþórsdóttir
|
| 3.5.2012 | Avoiding the Banana Hole |
Daði Guðjónsson 1981
|
| 14.5.2009 | Becoming a Woman. The Semiotic and Symbolic, Represented in the Heroine of Wolf by Gillian Cross |
Þórný Sigurjónsdóttir
|
| 17.3.2010 | Begynderundervisning i fremmedsprog : er engelskmaterialet mere motiverende for indlæring af sproget end danskmaterialet? |
Alice Petersen
|
| 20.5.2010 | Behind The Wallpaper The feminist point of view in the story "The Yellow Wallpaper" |
Helga Sigurlaug Sigurðardóttir
|
| 9.5.2012 | "Bell-Shaped Flowers and Butterflies." Metaphor and Metafiction in Tim O'Brien's Vietnam War Stories The Things They Carried |
Sjöfn Holmsted Sigurðardóttir 1970
|
| 10.5.2012 | Beowulf: a heroic tale of fact or fiction? |
Anna Lind Borgþórsdóttir 1963
|
| 9.6.2009 | Bilingualism and Bilingual Education in Iceland: A Study of the Importance of Mother Tongue Support for Bilingual Children in Iceland |
Maria Shukurova
|
| 9.5.2012 | Björk Guðmundsdóttir. A Phonological, Phonetic and Sociolinguistic approach |
Jón Friðrik Jónatansson 1987
|
| 8.5.2012 | Breaking the silence: the search for a voice in Alice Walker‘s The Color Purple |
Sigrún Tinna Sveinsdóttir 1987
|
| 6.10.2008 | Bridging the Gap Between Past and Present in Toni Morrison's Beloved |
Kolbrún Björk Sveinsdóttir
|
| 9.5.2012 | "Brutal only from a distance." War, sports and the limits of language in Don DeLillo's End Zone |
Ingibjörg Karlsdóttir 1971
|
| 12.9.2011 | Capturing the Zeitgeist. Native German Loanwords in English |
Þorsteinn Hjaltason 1967
|
| 4.2.2009 | Casting a Long Shadow. A Study of Masculinity and Hard Men in Twentieth-Century Scottish Fiction |
Jóhann Axel Andersen
|
| 20.1.2011 | "Changing Ground." Travel writing about Iceland over a fifty year interval |
Rósa María Sigurðardóttir
|
| 20.10.2008 | Charles Dickens’ Oliver Twist. A Thief or a Victim? |
Dovilé Didelyté
|
| 8.5.2012 | Chasing Your Tale: On Working Title and the Creative Journey |
Inga Mekkin Guðmundsdóttir Beck 1988
|
| 5.5.2010 | Chaucer’s female characters in the Canterbury Tales: Born to thralldom and penance, and to been under mannes governance |
Særún Gestsdóttir
|
| 24.1.2011 | Comparison of Settings in Which Fairy People Dwell or Appear in English Literary and Folk Traditions |
Linev, Alexandr, 1967-
|
| 31.3.2011 | Coping with English at tertiary level : instructors’ views |
Hafdís Ingvarsdóttir 1944; Birna Arnbjörnsdóttir 1952
|
| 30.3.2011 | Coping with English at university : students’ beliefs |
Birna Arnbjörnsdóttir 1952; Hafdís Ingvarsdóttir 1944
|
| 28.4.2009 | Counting trumps: The language of the card game Bridge and its status as a variety of English |
Sigurbjörn Haraldsson
|
| 20.1.2011 | Dead or Alive? Conventionality of Metaphors in Business English |
Una Guðlaug Sveinsdóttir
|
| 10.10.2008 | Death, travel and Pocahontas. The imagery on Neil Young's album Rust never sleeps |
Hans Orri Kristjánsson
|
| 10.5.2010 | Documentation for Spectrum Intranet: Discussion of the Writing Process |
Jónas Örn Ólafsson
|
| 8.5.2012 | Dragons and "the Other" in Modern Fantasy: Tolkien, McCaffrey and Novik Compared |
Ragna Ó. Guðmundsdóttir 1989
|
| 28.1.2010 | Early L2 English Teaching in Iceland. A literature review of possible L2 effects on L1 early literacy development |
Jóna Katrín Hilmarsdóttir
|
| 6.5.2011 | East African English. Linguistic Features and Background |
Hermann Ingi Ragnarsson
|
| 14.9.2010 | Education, Experience and Endurance. A study of teaching methods in secondary schools |
Arndís María Kjartansdóttir
|
| 10.5.2012 | Elements of the Gothic: falling from nature in Wuthering Heights |
Guðbjörg Skjaldardóttir 1973
|
| 5.5.2011 | English as a Language of Learning at the University of Iceland. A Survey of Students' Perceived Proficiency |
Maddalena Tovazzi
|
| 15.9.2010 | English as Lingua Franca at European Universities? |
Edda Ýr Meier
|
| 8.5.2012 | English Encountered by Icelandic Children. Is English becoming the second language of Iceland’s youth? |
Þóranna Hrönn Þórsdóttir 1985
|
| 16.9.2010 | English influence on Icelandic. The frequency and morphological properties of loanwords of English origin in Icelandic news reports |
Herdís Hreiðarsdóttir
|
| 23.9.2011 | English or Icelandic? A False Dichotomy in a Modern Global Society |
Ólöf Ásdís Baldvinsdóttir 1967
|
| 15.9.2010 | English or Icelandic? Communication in Icelandic multinational companies |
Agnes Björk Helgadóttir 1980
|
| 5.6.2009 | English Proficiency of Icelandic and Immigrant Children |
Elena Maltseva
|
| 31.3.2011 | English skills of young learners in Iceland : “I started talking English when I was 4 years old. It just bang… just fall into me.” |
Samuel C. Lefever 1954
|
| 15.5.2012 | English use at the six social service centers in Reykjavík: English as the lingua Franca of social services in Reykjavik |
Barbara Jean Kristvinsson 1958
|
| 11.5.2010 | Enska í íslensku: staða og áhrif enskunnar í íslensku máli |
Vigdis Garåsen
|
| 11.10.2010 | Enskukunnátta nemenda í 2. bekk |
Erla Bára Ragnarsdóttir
|
| 31.1.2009 | Everything is illuminated. A Bildungsroman: Expressed through stream-of-consciousness-writing |
Solveig Lilian Wagner
|
| 10.5.2012 | Fact or Fiction?: An examination of historical accuracy in John Buchan’s A Lost Lady of Old Years and an Assessment of Buchan’s Influences |
Kristjana Árnadóttir 1987
|
| 16.9.2010 | Family relations in Harry Potter: from Jung's viewpoint |
Hugborg Anna Sturludóttir
|
| 9.9.2010 | "For better or worse, I am Canadian." Demand for Ethnic Recognition in Green Grass, Running Water by Thomas King and Obasan by Joy Kogawa |
Rakel Sigurðardóttir
|
| 7.5.2010 | Forbidden Love. Romanticizing the Villain |
Íris Thelma Jónsdóttir
|
| 3.5.2010 | Forever Young: Chaucer‘s Wife of Bath and Her Fear of Losing Her Outer Beauty |
Hildur Seljan Indriðadóttir
|
| 10.5.2012 | Fortitude in the Face of Adversity. Irony in Ambrose Bierce’s short story “A Horseman in the Sky” . |
Gyða Hafdís Margeirsdóttir 1956
|
| 1.2.2012 | Frederick Douglass: A Free Slave |
Árný Ösp Arnardóttir 1987
|
| 7.10.2008 | From Book to Movie. What is Lost in the "Disneyfication” of Winnie-the-Pooh? |
Fríða Gylfadóttir
|
| 9.5.2012 | From song to stories: creating fiction from lyrics |
Axel Paul Gunnarsson 1988
|
| 10.5.2011 | From Zero to Hero. The Hero's Journey as Presented in J. K. Rowling's Harry Potter Book Series |
Maria Kristjánsdóttir
|
| 9.5.2012 | Fully Human. Gender Conflict in Two Tales by H.P. Lovecraft |
Sindri Eldon 1986
|
| 7.1.2010 | Garth Ennis' Preacher and the Western. Or How Preacher is a Western |
Kjartan Fossberg Jónsson
|
| 30.5.2009 | Gender Anxiety and Identity Crisis: The Significance of Metamorphosis in Angela Carter's The Passion of New Eve |
Erla María Davíðsdóttir
|
| 18.1.2012 | Gender attitudes in Harry Potter. A study of the portrayal of gender in the Harry Potter franchise, and its effect as an agent of socialization |
Hugrún Ósk Óskarsdóttir 1984
|
| 7.7.2010 | Giving Yourself Over to Absolute Pleasure. A study on the cult of The Rocky Horror Picture Show |
Hildur Ásgeirsdóttir
|
| 19.5.2010 | Globalization in Baltic:English Loanwords in Lithuanian |
Irma Lekaviciute
|
| 8.1.2010 | ‘Gotta dance!’ How the Hollywood Musical Danced its Way to an Artform |
Ólafur Páll Einarsson
|
| 8.6.2009 | Grammar Gaffes in Popular Music. Is Grammar in Popular Music Deteriorating? |
Ragnar Tómas Hallgrímsson
|
| 10.5.2012 | Greater Fairness in British Elections. The Liberal Democrats and Proportional Representation |
Kristinn H. Gunnarsson 1952
|
| 11.9.2009 | Grotesque Physicality: Female Excess in Angela Carter’s “Nights at the Circus” |
Helga Valborg Steinarsdóttir
|
| 14.6.2010 | Grýla the Mother and the Murderer. Analization and discussion of Grýla, trolls and similar creatures in folk and fairy tales |
Erla Jónasdóttir
|
| 20.1.2012 | Heaven and Hell: A Human Creation. Emily Brontë's vision of an earthly heaven and hell in Wuthering Heights with a Miltonic comparison. |
Katrín Júlía Pálmadóttir 1983
|
| 10.5.2011 | Home Literacy & Child Language Development. The Importance of Children's Literature and Poetry |
Arna Sigríður Ásgeirsdóttir
|
| 20.8.2009 | How did I catch your attention: An English novella and its writing process |
Ingibjörg Rósa Björnsdóttir
|
| 10.5.2011 | How Thomas King Uses Coyote in His Novel Green Grass, Running Water |
Veneta Georgieva Petkova
|
| 15.9.2010 | H.P. Lovecraft. The Enlightenment and connection to the world of Cosmicism |
Kristjón Rúnar Halldórsson
|
| 8.5.2012 | I Am No Man. The Strength of Women in J.R.R. Tolkien's Major Works |
Elísabet Stenberg 1987
|
| 11.1.2010 | "I am not as good a girl as I ought to be." Fallen Women in Charles Dickens' David Copperfield and Oliver Twist |
Unnur Kjartansdóttir
|
| 4.10.2010 | Icelandic Immigrants and First Nations People in Canada |
Sigrún Bryndís Gunnarsdóttir
|
| 9.5.2012 | ‘I don’t know nothink’: double standards and dual narration in Charles Dickens’ Bleak House |
Kolbrún Ingimarsdóttir 1966
|
| 13.5.2011 | “If he be Mr Hyde...I shall be Mr Seek.” Robert Louis Stevenson’s Strange Case of Dr Jekyll and Mr Hyde and its place within crime fiction |
Fríða Kristinsdóttir
|
| 10.5.2011 | "I'm not in the mood for a party tonight." The Orwellian Roots of the Pinteresque |
Magnús Teitsson
|
| 16.10.2009 | In black and white. A study of the portrayal of racism in the book, film, and the television versions of H.G. Bissingers´s Friday Night Lights |
Heimir Berg Vilhjálmsson
|
| 9.5.2012 | Insanity is Madness. Madness is Darkness. Darkness is the Batman |
Sindri Snær Þorsteinsson 1981
|
| 4.5.2012 | In Search of Lexical Whorf: A Comparison Between the Lexical Influence on Thought in the Standard View of Whorf and Whorf’s own Writings in the Light of Empirical Evidence |
Unnar Örn Harðarson 1971
|
| 10.5.2011 | In Space, No One Can Hear You Scream 'Authorship!' The Shift of Authorship in the Alien Franchise from the Producer to the Director to the Star |
Erlingur Grétar Einarsson
|
| 10.5.2012 | Interpreter Roles. What is an interpreter and how can he or she gain from a typology of interpreter-mediated even |
Sunna Jónína Sigurðardóttir 1985
|
| 8.5.2012 | "I shall assume that only binary branching is permitted." The Development of Binary-branching Theory in English Syntax in Relation to Double Complement Structures |
Pétur Már Sigurjónsson 1989
|
| 8.5.2009 | Is Truth Stranger Than Fiction? The question of veracity and reliability in the memoir Running with Scissors |
Elísabet Björnsdóttir
|
| 10.5.2011 | It Is Always Darkest Before the Dawn. A discussion of three adaptations based on the works of Philip K. Dick |
Ásta Arnardóttir
|
| 19.5.2009 | "It really won't do you know": Pros and Cons of the Creation and Success of C. S. Lewis’ The Lion, the Witch and the Wardrobe |
Eva Dögg Sveinsdóttir
|
| 10.10.2008 | Jane Austen’s Persuasion: Major and minor characters |
Ragnhildur Nielsen
|
| 28.4.2009 | Jane Eyre: A feminist |
Guðný Guðmundsdóttir
|
| 25.4.2012 | John Gower, Richard II and Henry IV: A Poet and his Kings |
Grétar Skúlason 1960
|
| 11.5.2009 | John Steinbeck's characters. Representing different social and political groups |
Rúnar Örn Sævarsson
|
| 20.1.2012 | Jonathan Swift and the Politics of Gulliver's Travels |
Elmar Freyr Kristþórsson 1984
|
| 3.2.2012 | Keeping their Cool: Speech vs. Song in British Popular Music |
Stefán Ólafsson 1985
|
| 16.5.2012 | Language Use by Polish Immigrants in Iceland: English or Icelandic? |
Zaorska, Katarzyna Dorota, 1989-
|
| 15.5.2012 | Language Use by Polish Immigrants in Iceland: English or Icelandic? |
Zaorska, Katarzyna Dorota 1989
|
| 7.5.2012 | “Let me contemplate myself within my context.” An Analysis of Penelope Lively’s Moon Tiger as a Work of Historical Fiction and a Commentary on History |
Guðrún Valdimarsdóttir 1985
|
| 19.1.2011 | “Let the wild rumpus start!” A Journey into Imagination in Maurice Sendak’s Where the Wild Things Are and Lewis Carroll’s Alice's Adventures in Wonderland and Through the Looking-Glass |
Inga Þórunn Waage
|
| 9.5.2012 | Linguistic Colonisation. On the spread of English and its consequences for individuals and societies |
Aðalheiður Guðjónsdóttir 1984
|
| 21.8.2007 | Listir í enskustofunni : listtengt námsefni fyrir unglingastig |
Jón Svanur Sveinsson
|
| 8.5.2012 | "Little Women" in a Man's World: Louisa May Alcott's Life Reflected in Her Work |
Mary Catherine Ólafsson 1985
|
| 25.5.2009 | Love as a Commodity: Brand-Name Romantic Fiction and its Readers. The Domain and Readership of Harlequin Enterprises, Both in Iceland and Abroad. |
Helena María Smáradóttir
|
| 6.5.2010 | Maus. Graphic Art and History |
Anna Sigrún Jónsdóttir 1984
|
| 20.9.2010 | Measuring Vocabulary: An overview of four types of vocabulary tests |
Helga Hilmarsdóttir
|
| 13.9.2011 | Media exposure and English language proficiency levels. A Comparative Study in Iceland and Spain |
García Ortega, Sergio, 1976-
|
| 7.5.2012 | Mirror, Mirror on the Wall, Who Is the Fairest of Them All? The Importance of Public Opinion in Thomas Hardy’s Far from the Madding Crowd. |
Irma Hrönn Martinsdóttir 1988
|
| 9.5.2012 | Modernizing Shakespeare’s Richard III: Observations on a Number of Recent Adaptations |
Kolbrún Gunnarsdóttir 1989
|
| 6.5.2011 | Modern Love: A Comparison of Nick Hornby's High Fidelity and Juliet, Naked |
Arnar Ásmundsson
|
| 20.1.2012 | “My teeth go into her smooth neck.” The Significance of Vampirism and Doppelgänger in Emma Tennant’s The Bad Sister |
Svanhildur Rósa Pálmadóttir 1982
|
| 6.1.2010 | Mythology to Film: The importance of the Homeric poems to O Brother Where Art Thou |
Sveindís Ýr Sveinsdóttir
|
| 15.9.2008 | Námsmat í ensku í 8. bekk |
Lilja Jóhannsdóttir
|
| 20.1.2011 | Off to Hogwarts but Rowing to Fagurey. Culture-Specific Translation Strategies of Enid Blyton’s "Five on a Treasure Island" and J. K. Rowling’s "Harry Potter and the Philosopher’s Stone" into German and Icelandic |
Carola Falk
|
| 3.6.2009 | On the Edge of Reality: Fear and Loathing and the American Dream |
Jón Björgvin Hilmarsson
|
| 17.1.2012 | Oscar Wilde and Edgar Allan Poe: Comparison of The Picture of Dorian Gray and "William Wilson" |
Brynjar Björnsson 1987
|
| 9.6.2009 | Patriarchy and the subordination of women from a radical feminist point of view |
Nína Katrín Jóhannsdóttir 1985
|
| 5.10.2010 | Peter Pan: "All children, except one, grow up" |
Anna Margrét Björnsdóttir 1988
|
| 18.1.2011 | "Pip in the Pacific." Different Views on Fiction in Lloyd Jones's Mister Pip |
Katrín Vilborgar. Gunnarsdóttir
|
| 21.5.2010 | Poe´s Life After Death |
Harpa Björk Birgisdóttir
|
| 14.10.2010 | Popular and useful learning strategies in language acquisition amongst teenagers |
Erla Edvardsdóttir
|
| 6.5.2011 | Pronunciation of the English Fricatives: Problems Faced by Native Finnish Speakers |
Minna Marika Timonen
|
| 10.5.2011 | Queen Guinevere. A queen through time |
Marie Helga Ingvarsdóttir
|
| 9.9.2011 | Quiet Existences. The Scandinavian influence in James Joyce´s Dubliners |
Edith Edda Unnsteinsdóttir 1977
|
| 16.9.2008 | Raddir nemenda : rannsókn á viðhorfum nemenda í 8. - 10. bekk til ensku |
Æsa Skeggjadóttir; Ragnheiður Sóley Stefánsdóttir
|
| 24.9.2009 | Reality at the Breaking Point: A Study of Nietzsche’s, Lyotard’s and Baudrillard’s Postmodernist Theories in Neil Gaiman’s American Gods |
Tryggvi Hrólfsson
|
| 26.4.2010 | Role of Metonymy in Unmarked Change of Word Category |
Ingunn Högnadóttir
|
| 24.6.2009 | Samanburður á enskukennslu- og kunnáttu í þremur skólum í tveimur löndum |
Magnús Jón Hilmarsson; Romana Mendová
|
| 8.5.2012 | Second Language Acquisition and Autism |
Karl Óskar Þráinsson 1975
|
| 28.4.2009 | Shakespeare’s heroines: An examination of how Shakespeare created and adapted specific heroines from his sources |
Lilja D. Schram Magnúsdóttir
|
| 7.5.2010 | “She has no will but his”. Equality and the “Woman Question” in The Tenant of Wildfell Hall by Anne Brontë and Jane Eyre by Charlotte Brontë |
Hrafnhildur Haldorsen
|
| 10.9.2010 | Slaying Literature: Metaphor and Characters in Buffy the Vampire Slayer |
Óskar Örn Eggertsson
|
| 3.6.2009 | Social Criticism Gets Animated. Satire and Humor in Corpse Bride (2005) by Timothy Burton |
Marina Druzhinina
|
| 9.5.2012 | Sonja-Life and Mysteries of Sonja W. Benjamínsson de Zorrilla. A Translation |
Steinunn Kristín Friðriksdóttir 1976
|
| 10.5.2011 | Speech Act Theory. A Critical Overview |
Loftur Árni Björgvinsson
|
| 9.5.2011 | Spirit in the Pond: Thoreau's Vision of Nature |
Egill Arnaldur Ásgeirsson
|
| 10.5.2011 | Stealing Past the Watchful Dragons. A Christian Aspect of The Chronicles of Narnia |
Anna Lilja Einarsdóttir 1987
|
| 12.10.2010 | Talað mál og framsögn í enskukennslu |
Marín Gústafsdóttir; Thérese Möller
|
| 22.9.2008 | Talar þú ensku? : rannsókn á þætti talaðs máls í enskukennslu |
Ragna Magnúsdóttir
|
| 9.5.2011 | Tasting Life. A Teenage Novel and a Report on the Prosess of Writing it |
Þórný Sigurjónsdóttir
|
| 1.2.2009 | Teaching Literature in the Tenth Grade. Terry Pratchett’s Discworld Novels as an Introduction to Classic English Literature |
Valgerður Guðrún Bjarkadóttir
|
| 13.9.2007 | Teikna, leika, svara, leysa : námsspil fyrir 4. bekk : greinargerð |
Agnes Ásgeirsdóttir
|
| 15.9.2010 | The Art of Storytelling in The New York Trilogy |
Jennifer McNamara
|
| 20.1.2011 | Theatre of the Skull. Rough for Radio II by Samuel Beckett |
Sigurlaug Sturlaugsdóttir
|
| 14.1.2011 | The Bene Gesserit in Frank Herbert's Dune. An Analysis |
Luis Felipe Torres Meza
|
| 4.5.2012 | The Byronic hero: origins and legacy |
Sólrún Helga Guðmundsdóttir 1988
|
| 9.5.2012 | The Censorship of Enid Blyton in Two of Her Novels. The Island of Adventure and Five on a Treasure Island |
Magnús Björgvin Guðmundsson 1986
|
| 20.1.2011 | The Character of the Ring |
Egill M. Halldórsson
|
| 6.9.2010 | The Education of a Monster. A Feminist Reading of Mary Shelley's Frankenstein |
Theodór Aldar Tómasson
|
| 10.5.2011 | The Fabric of her Fiction: Virginia Woolf´s Development of Literary Motifs based on Clothing and Fashion in Mrs Dalloway, To the Lighthouse and Orlando: A Biography |
Ásta Andrésdóttir
|
| 11.5.2010 | The Fight Between a Novel and a Film - The adaptation of Fight Club |
Leifur Viðarsson
|
| 9.5.2012 | The Function of Music in Norwegian Wood, from page to screen |
Searles, Alan 1970
|
| 29.4.2010 | The Gentle Touch of Ruin: The Influence of Women in Malory's Le Morte Darthur |
Unnur Heiða Harðardóttir
|
| 7.5.2012 | The Girl Instinct. A Post Feminist Look at the Relationship Between Foil and Hero in the Plum Novels by Janet Evanovich |
Gunnhildur Eva Arnoddsdóttir 1980
|
| 29.5.2009 | The Gothic: Function and Definition |
Snorri Sigurðsson
|
| 9.5.2012 | The Importance of Being Bilingual: The effects of bilingualism on cognitive development and the role of language valorisation |
Elín Arnarsdóttir 1985
|
| 6.5.2011 | The Importance of Being Dorian Gray. Aesthetics and the Gothic in The Picture of Dorian Gray and Its Relevance to Late Capitalist Societies |
Ágústína Gunnarsdóttir 1983
|
| 20.1.2011 | The Importance of Being English. A Look at French and Latin Loanwords in English |
Hjördís Elma Jóhannsdóttir 1982
|
| 6.5.2011 | The Influence of History, Legend and Language on Scottish Identity in Neil M. Gunn's 'The Silver Darlings' and Lewis Grassic Gibbon's 'Sunset Song' |
Harpa Sif Haraldsdóttir
|
| 4.6.2009 | The Madness of Sanity: A Study of Kurt Vonnegut's Mother Night |
Einar Steinn Valgarðsson
|
| 8.5.2012 | The Male Suitor in the 19th Century British Novel: The Gentlemanly Behavior of the Suitor and his Pursuit for the one True Love |
Elísabet S.K. Ágústsdóttir 1981
|
| 15.5.2012 | The Merits of Multicultural Literature: Exploring the inherent values of Multicultural Literature and the need for its inclusion in children’s early reading books |
Jonsson, Letetia B., 1962-
|
| 7.9.2011 | The Moral Problematic as a Recurring Theme in Robert Louis Stevenson's Novels: The Master of Ballantrae and Kidnapped |
Liprini, Luca, 1985-
|
| 23.1.2012 | "The One About Coyote Going West." A Translation of a Short Story by Thomas King |
Halldóra Sigríður Ágústsdóttir 1980
|
| 28.4.2009 | The prince and Utopia: The influential dialogue |
Hannes Rúnar Hannesson
|
| 29.5.2009 | The Process Of Bringing The Story To You: A Translation Analysis of Nicholas Evans's The Horse Whisperer |
Elín Heiða Ólafsdóttir
|
| 20.1.2011 | The Re-accenting of Given Information in Icelandic. A Comparative Study of English and Icelandic Intonation patterns |
Gísli Valgeirsson 1984
|
| 15.9.2010 | The Relation of the Decline of Inflectional Morphology to the Loss of Verb Raising in English |
Eero Rikhard Leppänen
|
| 6.3.2009 | The Resultative Construction. Cutting Verb Classes a Break |
Einar Andreas Helgason
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| 2.5.2009 | The Satire as a Social Mirror: Jonathan Swift's A Modest Proposal in Context |
Bryndís Gunnarsdóttir
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| 8.5.2012 | The Stolen Generations. Racial Discrimination and the Reclamation of Identity in Doris Pilkington Garimara's Follow the Rabbit-Proof Fence |
Jóna Guðrún Guðmundsdóttir 1967
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| 4.5.2011 | The Theme of Facts and Fancy in Hard Times by Charles Dickens |
Anna Margrjet Thoroddsen 1935
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| 9.5.2012 | The theme of friendship in J.R.R. Tolkien's The Lord of the Rings |
Magnús Örn Þórðarson 1988
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| 9.5.2011 | The Vampires of Anne Rice. From Byron to Lestat |
Ingunn Anna Ragnarsdóttir
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| 9.5.2012 | The Whether Report: Reclassifying Whether as a Determiner |
Batson, Gregg Thomas 1968
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| 8.5.2010 | "This is The End": Realism, Myth and Propaganda in the Vietnam War films Apocalypse Now, Platoon and The Green Berets |
Daði Óskarsson
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| 14.9.2010 | Three Vampires, Two Humans and a Werewolf: Comparing Sexualities in The Twilight Saga and The Southern Vampire Mysteries |
Sesselja Friðgeirsdóttir
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| 10.5.2012 | Through the portal: on writing Ellwood - a modern fantasy novella |
Ásrún Ester Magnúsdóttir 1988
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| 9.5.2011 | "To Hide a Guilty Heart Through Life." Consequences of Matriarchy in Nathaniel Hawthorne's The Scarlet Letter and Kate Chopin's The Awakening |
Bryndís Jóna Rúnarsdóttir
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| 18.5.2009 | To Kill a Wife with Kindness: Early modern marriage in Shakespeare's The Taming of the Shrew |
Ásta Andrésdóttir
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| 10.5.2012 | Tolkien & Lewis: how Tolkien and Lewis present their religion in their writings |
Einar Þorsteinsson 1987
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| 5.5.2010 | “Tomorrow is Another Day.” The Depiction of Women and Slavery in Margaret Mitchell’s Gone With the Wind and Robert Hicks’ The Widow of the South. |
Ólöf Hildur Egilsdóttir
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| 7.5.2012 | Tragic Figures of Race. The Dilemma of Minority Races in Richard Wright’s and Nella Larsen’s Fiction |
Heiðdís Einarsdóttir 1969
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| 31.1.2009 | True Fidelity? The Adaptation of High Fidelity |
Eiríkur Stefán Ásgeirsson
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| 9.5.2012 | Unacceptable Reality. An analysis of George MacDonald Fraser´s Flashman |
Úlfur Sturluson 1984
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| 10.5.2011 | Vampires in Literature |
Magndís Huld Sigmarsdóttir
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| 20.5.2010 | Vampires Now and Then: From origins to Twilight and True Blood |
Daði Halldórsson
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| 20.1.2012 | Variety of Death Scenes in Dickens. In books and on screen |
Aðalbjörg Halldórsdóttir 1988
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| 4.10.2010 | Verbal Vivisection. Animal Abuse and the English Language |
Íris Lilja Ragnarsdóttir
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| 12.10.2010 | Viðhorf íslenskra kennara til kennslubóka í ensku : fræðileg umfjöllun um kennslubækur og rannsókn á viðhorfi íslenskra enskukennara til kennslubóka |
Tinna Ósk Þorvaldsdóttir
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| 6.9.2011 | Waiting for Nothing; an Analysis of "Waiting for Godot" by Samuel Beckett |
Withanage, Ishara Hansani, 1981-
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| 7.5.2010 | Watery Hues. A short story |
María S. Holm Halldórsdóttir
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| 9.10.2009 | What is in a Mystery? A Closer Look at the Inspector Morse Mysteries by Colin Dexter |
Bryndís Júlía Róbertsdóttir
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| 10.9.2010 | Wordsworth's Ballads in Lyrical Ballads 1798, Inspirations and Ideas behind Wordsworth's ballads |
Freydís Ósk Daníelsdóttir
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| 10.10.2008 | Written Feedback in English Foreign Language Writing Instruction: A Study of Teacher Feedback in 8th and 10th Grades of the Primary School in Iceland |
Steinlaug Sigríður Bjarnadóttir
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| 10.5.2011 | "You lovely whore." The Portrayal of Women in Harold Pinter’s Plays Night School, The Lover and The Homecoming |
Guðrún Baldvina Sævarsdóttir
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