Vinsamlegast notið þetta auðkenni þegar þið vitnið til verksins eða tengið í það: http://hdl.handle.net/1946/11797
Banksy's propaganda muscle
This paper examines two wholly different perspectives, their vision of individuals and society, their actions and reactions, and how they relate to one another, if at all. The subjects are propaganda and the graffiti artist known as Banksy. To illustrate the point, I will assess the two topics through the placement of some of their features in propaganda’s process model, a systematic tool that can help to confirm the proposition that Banksy is a competitive propaganda agent.