| 10.9.2015 | "They Treat Objects Like Women, Man." The Representation and Examination of Feminist Attitudes in the Films of the Coen Brothers | Guðrún Halla Jóhannsdóttir 1990- |
| 29.4.2024 | Adapting the Monstrous: The Evolution of Monsters in Japanese Horror Media: Comparative Analysis of Japanese Horror Films from Shōwa Era to Modernity | Daniil Romodanovskii 2000- |
| 10.5.2022 | Adapting the Unreliable American Anti-Hero: Notions of Narrative Media and the Subversion of Cultural Constraints and Ideas of Identity in Fight Club and Gone Girl, and Their Film Adaptations | Alma Ásgrímsdóttir 1999- |
| 26.4.2024 | Between Pages and Frames. A Study of Authorship in Adaptation in Charlie Kaufman’s “I’m Thinking of Ending Things” | Greta Macionyté 1994- |
| 10.5.2022 | Exquisite Corpse: Exploring themes of gender nuances through Hedwig and the Angry Inch | Halldóra Björg Guðmundsdóttir 1998- |
| 10.5.2017 | Huglægni, Raunsæi og upplifun áhorfandans. Tilfinningaleg samsvörun áhorfanda með persónum kvikmynda | Victor Pétur Ólafsson 1983- |
| 20.12.2021 | Humans, Nature and Spirits: An Ecocritical Analysis of Studio Ghibli’s Films | Sara Manceras Huertas 1996- |
| 12.9.2022 | Ingmar Bergman and Jacques Tati: Pushing the boundaries between sound and silence | Anya Smith 1993- |
| 10.5.2012 | Konur í íslenskum kvikmyndum. Konur sem viðfangsefni og stjórnendur í íslenskum kvikmyndum 1980-2012 | Ívar Björnsson 1990- |
| 12.5.2014 | Kvenhetjur Quentin Tarantino: Birtingarmyndir kvenna í kvikmyndum leikstjórans | Sara Elísabet Haynes 1987- |
| 10.5.2013 | Kvöldu kvenhetjur Lars von Trier. Birtingarmynd konunnar í kvikmyndum leikstjórans | Edda Karítas Baldursdóttir 1990- |
| 19.1.2015 | Noir Guilt Complex. The Death of Women as a Catalyst for Character Development and Plot in the Films of Christopher Nolan | Sverrir Sigfússon 1990- |
| 12.5.2014 | Órói: Flögrandi á jaðri hinsegin kvikmyndar | Sigríður Ramsey Kristjánsdóttir 1975- |
| 11.5.2015 | The Postmodern Don Juan Scoring on the Internet. Representation of Gender and Culture of Late Capitalism in the Film Don Jon (2013) | Sóley Arngrímsdóttir 1990- |
| 9.5.2022 | The Prophecy of the inevitable environmental catastrophe is seen in Frankenstein, or, the Modern Prometheus from the perspective of Ecofeminism. | Assel Akhmetzhanova 1983- |
| 10.5.2017 | Restricted by youth and sex: The Intersectionality of Race, Gender, and Class in Toni Morrison's The Bluest Eye | Lísa Björg Attensperger 1995- |
| 11.5.2018 | The Revival of Film Realism. The case of neo-neo-realism | Arnar Pétursson 1980- |
| 3.5.2022 | Time Capsule: Fanzines as a Signpost Towards the Cultural Shift | Irina Shtreis 1987- |
| 19.1.2015 | Transfólk í kvikmyndum: Kynjafræðileg greining á birtingarmyndum transfólks | Hrund Ölmudóttir 1990- |
| 21.1.2013 | Ungfrúin góða og húsið. Kvikmyndaaðlögun | Dalrún Jóhannesdóttir 1989- |
| 13.12.2019 | The Warm Thrill of Confusion. Clarifying Cult Movies | Egill Atlason 1995- |
| 9.5.2016 | “A woman's whole life in a single day. Just one day. And in that day her whole life”. Fluid Sexual Identity in Michael Cunningham´s The Hours | Wlodarczyk, Andrzej, 1981- |
| 30.4.2015 | „Augu mín eru opin.“ Feðraveldi, neyslumenning og kynjaímyndir í Fight Club | Rúnar Bergmann Gunnlaugsson 1991- |
Íslenska
