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SamþykktRaða eftir:SamþykktTitillRaða eftir:TitillHöfundur(ar)
22.6.2022Ball for AchillesGabriel Marling Rideout 2000-
22.6.2022Behaliens : choreographic behaviorSóley Ólafsdóttir 1999-
22.6.2022bYrta : performing for the self with self confidence instead of projecting self-confidence for othersRagnhildur Birta Ásmundsdóttir 1999-
23.6.2022Final critical reflectionSóley Ólafsdóttir 1999-
23.6.2022Final Project - Phygital Glitch & Run/ThroughGabriel Marling Rideout 2000-
23.6.2022Final projectsMarikki Nyfors 1997-
23.6.2022Graduation performances Phygital Glitch & Run/throughTiffany Margelin 1998-
6.10.2020L i s t e n i n g – sound narratives of a danceMikolai, Sara, 1989-
22.6.2022M A Ï E U T I C S : how could the expansion of consciousness benefit dance practices ?Tiffany Margelin 1998-
23.6.2015Notkun Critical Response Process í leiklistarkennslu á framhaldsskólastigiErla Steinþórsdóttir 1984-
23.6.2022Phygital Glitch and Run/throughBirna Karlsdóttir 2000-
22.6.2022Playground Behavior : play and power in a performanceMarikki Nyfors 1997-
23.6.2022The rhythm makes you moveRebekka Sól Þórarinsdóttir 2000-
23.6.2022The Role of the Dancer : The Effect a Dancer has on a Creative ProcessJóna Hlín Elíasdóttir 2000-
23.6.2022Run/through and Phygital Glitch - PerformancesJóna Hlín Elíasdóttir 2000-
23.6.2022Run/through and Phygital Glitch - PerformancesRebekka Sól Þórarinsdóttir 2000-
19.6.2023sam/ræðaLena Margrét Jónsdóttir 1998-
23.6.2022The role of the dancerInga María Olsen 2000-
23.6.2022The role of the dancerInga María Olsen 2000-
23.6.2022VanaVera (Creature of habits)Birna Karlsdóttir 2000-