| 4.2.2009 | Casting a Long Shadow. A Study of Masculinity and Hard Men in Twentieth-Century Scottish Fiction | Jóhann Axel Andersen 1979- |
| 4.6.2009 | The Madness of Sanity. A Study of Kurt Vonnegut's Mother Night | Einar Steinn Valgarðsson 1984- |
| 16.10.2009 | In black and white. A study of the portrayal of racism in the book, film, and the television versions of H.G. Bissingers´s Friday Night Lights | Heimir Berg Vilhjálmsson 1982- |
| 11.1.2010 | "I am not as good a girl as I ought to be." Fallen Women in Charles Dickens' David Copperfield and Oliver Twist | Unnur Kjartansdóttir 1984- |
| 5.5.2010 | “Tomorrow is Another Day.” The Depiction of Women and Slavery in Margaret Mitchell’s Gone With the Wind and Robert Hicks’ The Widow of the South | Ólöf Hildur Egilsdóttir 1961- |
| 6.5.2010 | Maus. Graphic Art and History | Anna Sigrún Jónsdóttir 1984- |
| 8.5.2010 | "This is The End." Realism, Myth and Propaganda in the Vietnam War films Apocalypse Now, Platoon and The Green Berets | Daði Óskarsson 1981- |
| 10.5.2010 | "...A Certain Step Towards Falling in Love." Jane Austen’s Use of Dancing in Sense and Sensibility, Pride and Prejudice and Emma | Hildur Friðriksdóttir 1985- |
| 10.5.2011 | The Fabric of her Fiction: Virginia Woolf´s Development of Literary Motifs based on Clothing and Fashion in Mrs Dalloway, To the Lighthouse and Orlando: A Biography | Ásta Andrésdóttir 1976- |
| 20.1.2012 | Jonathan Swift and the Politics of Gulliver's Travels | Elmar Freyr Kristþórsson 1984- |
| 3.5.2012 | Avoiding the Banana Hole. Psychoanalytic Reading of the Character of Seymour Glass in J.D. Salinger’s Shorter Fiction | Daði Guðjónsson 1981- |
| 7.5.2012 | Mirror, Mirror on the Wall, Who Is the Fairest of Them All? The Importance of Public Opinion in Thomas Hardy’s Far from the Madding Crowd. | Irma Hrönn Martinsdóttir 1988- |
| 9.5.2012 | "Bell-Shaped Flowers and Butterflies." Metaphor and Metafiction in Tim O'Brien's Vietnam War Stories The Things They Carried | Sjöfn Holmsted Sigurðardóttir 1970- |
| 9.5.2012 | "I don’t know nothink." Double standards and dual narration in Charles Dickens’ Bleak House | Kolbrún Ingimarsdóttir 1966- |
| 9.5.2012 | "Brutal only from a distance." War, sports and the limits of language in Don DeLillo's End Zone | Ingibjörg Karlsdóttir 1971- |
| 10.5.2012 | Greater Fairness in British Elections. The Liberal Democrats and Proportional Representation | Kristinn H. Gunnarsson 1952- |
| 21.1.2013 | “The Great Spirit is our Father, but the Earth is our Mother.” Learning from Native American Approaches to a Sense of Place and Sustainability | Davíð Þór Guðmundsson 1980- |
| 23.1.2013 | The Procrustean Bed. A Critical Study of Philip Young’s Edition of Ernest Hemingway’s Nick Adams Stories | Ágústa Rúnarsdóttir 1976- |
| 10.5.2013 | Shooting the President: A Critical Study of the Films JFK and Death of a President | Pétur Sæmundsen 1987- |
| 10.5.2013 | Ruined Lives and Urban Ruins. How Jacob Riis exposed the brutal life of immigrants in New York City’s largest slum, Lower East Side. | Henný Gylfadóttir 1977- |
| 5.5.2014 | Writing for Money: The Muse and the Market in the English Newspaper Novel from the Nineteenth to Twenty-First Centuries | Asch, Mark, 1984- |
| 12.5.2014 | Garden of Eden, Garden of Hell? The Many Uses of the Symbolic Garden in Malcolm Lowry’s Under the Volcano | Marissa Sigrún Pinal 1988- |
| 13.5.2014 | Coaching and Corruption. A Study of the Cinematic Presentation of the Abuse of NCAA Regulations for College Sports in America in the Films The Program and Blue Chips | Arnar Þór Jónsson 1982- |
| 9.9.2014 | The Figure in the Window: A study of the Mother-Daughter Relationship in Virginia Woolf's To the Lighthouse | Arndís Dögg Arnardóttir 1973- |
| 13.1.2015 | Making a Separate Peace: The Evolution of the War Veteran as Literary Hero in Ernest Hemingway’s In Our Time, The Sun Also Rises, A Farewell to Arms, For Whom the Bell Tolls, and Across the River and Into the Trees | Sigurlaug Sturlaugsdóttir 1975- |
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