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4.5.2011The Theme of Facts and Fancy in Hard Times by Charles DickensAnna Margrjet Thoroddsen 1935-
6.5.2011The Influence of History, Legend and Language on Scottish Identity in Neil M. Gunn's 'The Silver Darlings' and Lewis Grassic Gibbon's 'Sunset Song'Harpa Sif Haraldsdóttir 1986-
6.5.2011Modern Love: A Comparison of Nick Hornby's High Fidelity and Juliet, NakedArnar Ásmundsson 1976-
10.5.2011Queen Guinevere. A queen through timeMarie Helga Ingvarsdóttir 1989-
13.5.2011“If he be Mr Hyde...I shall be Mr Seek.” Robert Louis Stevenson’s Strange Case of Dr Jekyll and Mr Hyde and its place within crime fictionFríða Kristinsdóttir 1974-
7.9.2011The Moral Problematic as a Recurring Theme in Robert Louis Stevenson's Novels: The Master of Ballantrae and KidnappedLiprini, Luca, 1985-
9.9.2011Quiet Existences. The Scandinavian influence in James Joyce´s DublinersEdith Edda Unnsteinsdóttir 1977-
20.1.2012Heaven and Hell: A Human Creation. Emily Brontë's vision of an earthly heaven and hell in Wuthering Heights with a Miltonic comparison.Katrín Júlía Pálmadóttir 1983-
20.1.2012“My teeth go into her smooth neck.” The Significance of Vampirism and Doppelgänger in Emma Tennant’s The Bad SisterSvanhildur Rósa Pálmadóttir 1982-
4.5.2012Apprentice and Mentor?: The Influence of Victorian Women Writers Analysed Through the Relationship and Works of Elizabeth Gaskell and Charles DickensHrafnhildur Haldorsen 1985-
7.5.2012“Let me contemplate myself within my context.” An Analysis of Penelope Lively’s Moon Tiger as a Work of Historical Fiction and a Commentary on HistoryGuðrún Valdimarsdóttir 1985-
9.5.2012Unacceptable Reality. An analysis of George MacDonald Fraser´s FlashmanÚlfur Sturluson 1984-
10.5.2012Fact or Fiction? An examination of Historical Accuracy in John Buchan’s A Lost Lady of Old Years and an Assessment of Buchan’s InfluencesKristjana Hrönn Árnadóttir 1987-
9.1.2013The Intoxicating Exotic: An Ecocritical Analysis of Jean Rhys’ Wide Sargasso SeaAdams, Melanie J., 1980-
15.1.2013Destruction and Sympathy in Emily Brontë's Wuthering Heights: Heathcliff's Loss of the Reader's Sympathy Through Self-Destructive Behaviour and Ruination of OthersDaníel Ingi Þórarinsson 1989-
8.5.2013A Tug of War. The Importance of Duality in Lewis Grassic Gibbon's Sunset SongSigrún Árnadóttir 1959-
10.5.2013The Wide-Reaching Influence of Flush: The Importance of Dogs in the Lives and Works of Elizabeth Barrett-Browning and Virginia WoolfSigurlaug Kristjánsdóttir 1974-
10.5.2013Jane Eyre as an Independent Cinderella. Parallels between the Fairy Tale and the NovelEyrún Ýr Hildardóttir 1976-
16.1.2014Gloriously Politically Incorrect: What are the reasons behind George Macdonald Fraser's creation of the original Flashman novel?Ástrós Tanja Guðbrandsdóttir 1990-
20.1.2014Cinderella Theme in Mansfield Park. A None Magical Fairy Tale EndingPardillo Juarez, Rhea, 1984-
20.1.2014The Edwardian Era as Depicted in Downton AbbeyOddfríður Steinunn Helgadóttir 1977-
6.5.2014The Development of the Artist as a Young Man: Is James Joyce’s A Portrait of the Artist as a Young Man convincing as a Bildungsroman?Tinna Björk Ómarsdóttir 1990-
4.9.2014Þanghafið breiða. Þýðing á skáldsögunni Wide Sargasso Sea eftir Jean Rhys ásamt greinargerðRósa María Sigurðardóttir 1966-
20.1.2015Oscar Wilde’s Use of the Faustian Bargain, Victorian Narrative Traditions and Aestheticism in The Picture of Dorian GrayDagmar Magnadóttir 1990-
8.5.2015A Journey of Growth: Bernard Cornwell's The Last Kingdom as a BildungsromanKristín Jónasdóttir 1983-