| 7.10.2008 | From Book to Movie. What is Lost in the "Disneyfication” of Winnie-the-Pooh? | Fríða Gylfadóttir 1982- |
| 10.10.2008 | Jane Austen’s Persuasion: Major and minor characters | Ragnhildur Nielsen 1975- |
| 20.10.2008 | Charles Dickens’ Oliver Twist. A Thief or a Victim? | Didelyté, Dovilé 1979- |
| 28.4.2009 | Shakespeare’s heroines: An examination of how Shakespeare created and adapted specific heroines from his sources | Lilja Dögg Schram Magnúsdóttir 1981- |
| 11.1.2010 | "A spring of love gushed from my heart, And I blessed them unaware." The Ancient Mariner´s Acceptance of the Absurd | Knezevic, Julia Elisabeth, 1977- |
| 11.1.2010 | "I am not as good a girl as I ought to be." Fallen Women in Charles Dickens' David Copperfield and Oliver Twist | Unnur Kjartansdóttir 1984- |
| 6.2.2010 | A fictional narrative of Real-life Paris: Lily´s Tale | Júlíana Björnsdóttir 1980- |
| 29.4.2010 | The Gentle Touch of Ruin: The Influence of Women in Malory's Le Morte Darthur | Unnur Heiða Harðardóttir 1986- |
| 3.5.2010 | Forever Young: Chaucer‘s Wife of Bath and Her Fear of Losing Her Outer Beauty | Hildur Seljan Indriðadóttir 1986- |
| 7.5.2010 | “She has no will but his.” Equality and the “Woman Question” in The Tenant of Wildfell Hall by Anne Brontë and Jane Eyre by Charlotte Brontë | Hrafnhildur Haldorsen 1985- |
| 16.1.2012 | Bækur til að breyta heiminum. Einkenni afstöðubókmennta í skáldsögunni Sunset Park | Kristján Skúli Skúlason 1988- |
| 17.1.2012 | ‘To walk alone in London is the greatest rest.’ Female flânerie in Mrs. Dalloway | Saga Kjartansdóttir 1985- |
| 18.1.2012 | Gender attitudes in Harry Potter. A study of the portrayal of gender in the Harry Potter franchise, and its effect as an agent of socialization | Hugrún Ósk Óskarsdóttir 1984- |
| 20.1.2012 | Heaven and Hell: A Human Creation. Emily Brontë's vision of an earthly heaven and hell in Wuthering Heights with a Miltonic comparison. | Katrín Júlía Pálmadóttir 1983- |
| 20.1.2012 | Variety of Death Scenes in Dickens. In books and on screen | Aðalbjörg Halldórsdóttir 1988- |
| 6.9.2012 | The Maiden, The Mother and the Other One. The Satirical Use of Stereotypes within Terry Pratchett‘s Witches Series | Lovísa Gylfadóttir 1982- |
| 10.9.2012 | Harry Potter og Biblían. Kristilegar hugmyndir í Harry Potter bókunum | Ísabella Ruth Borgþórsdóttir 1982- |
| 10.9.2012 | On the Threshold: Liminality in Emily Brontë's Wuthering Heights | Fanney Sigurðardóttir 1985- |
| 11.9.2015 | The Battle of Good and Evil in The Picture of Dorian Gray | Svanhvít Helga Magnúsdóttir 1992- |
| 3.5.2016 | The Spark that Changes Colour. Identity, Crisis and Rebirth in Zoë Strachan’s Negative Space and Jackie Kay’s “Physics and Chemistry” | Anna Þorbjörg Reynisdóttir 1980- |
| 4.5.2016 | Role Models for the Future: Charlotte Brontë’s Jane Eyre and George Eliot’s Maggie Tulliver as Feminist Heroines | Anna Dögg Gylfadóttir 1990- |
| 10.5.2016 | The Sorting Hat Effect: How the Hogwarts Houses Influence Prejudice in Harry Potter | Helga Sædís Jónsdóttir 1994- |
| 2.9.2016 | Icelandic Secondary School Students’ Attitudes Towards Literature in the English Classroom. A Qualitative Study | Helga Benediktsdóttir 1990- |
| 9.9.2016 | The Good, the Bad and the Ugly: Duality in Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde and The Master of Ballantrae | Hugi Harðarson 1987- |
| 16.1.2017 | Leiðin í gegnum óþýðanleikann. Þýðing á smásagnasafninu Lord Arthur Savile’s Crime and Other Stories eftir Oscar Wilde auk greinargerðar | Harpa Björk Birgisdóttir 1980- |
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