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25.4.2016Four American Cultural Institutions in Khalil Gibran’s The Prophet and Charlotte Perkins Gilman’s HerlandThabet, Hoda, 1972-
6.5.2016Obsession in Edgar Allan Poe's Berenice and LigeiaSunna Guðný Pálmadóttir 1975-
6.5.2016Painting with Words: Three Visual Poems by E. E. CummingsEva Jóhanna Óskarsdóttir 1972-
1.6.2016Exploring the Legacy of Halldór Laxness: Contemporary English-Language Perspectives on Iceland's Greatest Twentieth-Century WriterBrandsma, Elliott J., 1990-
5.9.2016The House on Mango Street by Sandra Cisneros: Translation and Theoretical FrameworkKolbrún Björk Sveinsdóttir 1973-
5.5.2017The Heroic Journey of a Villain: The Lost and Found Humanity of an Artificial IntelligenceÁsta Karen Ólafsdóttir 1990-
8.5.2017The Necessity of Telling Her Story. Narrative Veracity in Margaret Atwood’s The Handmaid’s TaleGaynor, Dónal Huw, 1983-
9.5.2017Fish as a Common Denominator? Symbolism in As I Lay Dying by William FaulknerGréta Hauksdóttir 1976-
10.5.2017Moral Issues, Loneliness and Friendship in Of Mice and Men: John Steinbeck's Portrayal of the Life of Migrant Ranch Workers in 1930s AmericaRagnheiður Halldórsdóttir 1991-
10.5.2017Frederick Douglass: From Chains of Ignorance to FreedomAmelía Christine Scholl 1994-
18.1.2018Hefnigjarna sagan um fótatakið sem flúði: A Translation of "The Vindictive Story of the Footsteps That Ran"Valgerður Þórðardóttir 1964-
10.4.2018The Strange Case of Mrs. Darling's Kiss: Why Peter and Wendy Needs a New Icelandic TranslationÞorgerður Anna Gunnarsdóttir 1994-
2.5.2019Representation of Indigenous Peoples in the Education Curriculum in Norway and Alberta, Canada: A Postcolonial AnalysisSegarra, Eimi Segarra, 1990-
6.5.2019“Ellas son (como) de la familia” “They are (like) family” Representations of Live-in Maids in Latin American CinemaSilva Munoz, Alondra V. V., 1992-
2.1.2020The Art of Adaptation: The move from page to stage/screen, as seen through three filmsMargrét Ann Thors 1987-
2.9.2020"Wild Nights": Death and Humor in the Poetry of Emily DickinsonZélia Catarina Pedro Rafael 1984-
3.9.2020Emigration and Identity in Contemporary Irish DramaMaria Coda 1965-
9.9.2020"A Stranger in a Strange Land": A Translation of “An Icelandic Driver,” a Short Story by J. M. Bjarnason, with Analysis and Introduction to the AuthorJay Linden Lalonde 1994-
1.10.2020Emigration and Identity in Contemporary Irish DramaCoda, Maria Rosaria, 1965-
5.5.2021Orphan Trauma and the Narrative of Imagination. Autobiographical Memory, Trauma and Coping Mechanisms in The Alpine Path, Emily of New Moon and Anne of Green GablesKennedy, Amy Anne, 1992-
10.9.2021Gender Representation in Adaptations of Works of Sustained Popularity: Little Women and Catch-22Elena Zobova 1984-
29.4.2022A Case for Reading. Fiction as a Key to Empathic HumanityDagný Soffía Eyþórsdóttir 1993-
5.5.2022Beneath Big Brothers Eyes. The Surveillance State in Dystopian Literature and Contemporary CultureSearles, Alan, 1970-
26.4.2024Dark Doubles and Dual Audience: What Uncanny Doppelgangers in Children’s Literature Teach ReadersElisa Rebecca Klausmann 1999-
29.4.2024Illusionary Happiness in The Great Gatsby. The Corruption and False Promises of the American DreamBarbora Ruzicková 1997-
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