| 10.5.2016 | "Cult of the Apron." Gender Representation in Children’s Literature | Guðrún Drífa Egilsdóttir 1988- |
| 19.5.2009 | "It really won't do you know." Pros and Cons of the Creation and Success of C. S. Lewis’ The Lion, the Witch and the Wardrobe | Eva Dögg Sveinsdóttir 1981- |
| 8.5.2012 | "Little Women" in a Man's World: Louisa May Alcott's Life Reflected in Her Work | Ólafsson, Mary Catherine, 1985- |
| 7.5.2019 | "Mirror, Mirror on the Wall": The Representation and Objectification of Women in Fairy Tales by the Brothers Grimm | Guðbjörg Ebba Högnadóttir 1992- |
| 9.5.2011 | "To Hide a Guilty Heart Through Life." Consequences of Matriarchy in Nathaniel Hawthorne's The Scarlet Letter and Kate Chopin's The Awakening | Bryndís Jóna Rúnarsdóttir 1980- |
| 17.1.2019 | "We don't ask what a woman does - we ask whom she belongs to" | Sigrún R. Schou Pálsdóttir 1976- |
| 8.5.2014 | "Who watches the watchmen?" Power Relationships in the Discworld Watch Series | Elísabet Jónsdóttir 1991- |
| 18.1.2018 | Alice's Adventures in Wonderland and Literary Nonsense: A Deconstructive Analysis of Lewis Carroll’s Novel | Lara Ruiz Prados 1984- |
| 5.11.2015 | Aska, kynjafræðileg skáldsaga | Hertha Richardt Úlfarsdóttir 1983- |
| 14.5.2009 | Becoming a Woman. The Semiotic and Symbolic, Represented in the Heroine of Wolf by Gillian Cross | Þórný Sigurjónsdóttir 1984- |
| 20.1.2017 | The Birth of a Novella: On Lyra and the Creative Writing Process | Steinunn Brynja Óðinsdóttir 1993- |
| 5.5.2017 | A Book is a World unto Itself. On Writing the Novella The Glass Hill | Elísabet Jónsdóttir 1991- |
| 10.9.2012 | Bókin sem hverju barni er gefin. Um orð og myndir í Vísnabókinni | Ragnheiður Jónsdóttir 1989- |
| 30.4.2018 | Breaking the Bonds of Destiny: On Writing the Fantasy Novella Illusions of Grandeur | Ólafur Páll Einarsson 1983- |
| 11.5.2015 | Breaking the Silence: On Writing The Silent Predator | Júlíana Garðarsdóttir 1989- |
| 18.5.2015 | Building a Secret House of Words. On Writing Come with Me: The Coyote Has Been Howling All Night | Hlín Leifsdóttir 1978- |
| 4.5.2012 | The Byronic hero: origins and legacy | Sólrún Helga Guðmundsdóttir 1988- |
| 20.10.2008 | Charles Dickens’ Oliver Twist. A Thief or a Victim? | Didelyté, Dovilé 1979- |
| 8.5.2012 | Chasing Your Tale: On Working Title and the Creative Journey | Inga Mekkin Guðmundsdóttir Beck 1988- |
| 20.9.2010 | A Cold Blooded Murderer Calls For a Revision. Rick Altman's Subgenre Division of the American Film Musical | Sigrún Karlsdóttir 1971- |
| 10.1.2020 | The Crows among Hummingbirds: On Writing the Stories "The Party", "Silver Noon" and "Matryoshka" | Milica Popović 1991- |
| 8.5.2012 | Dragons and "the Other" in Modern Fantasy: Tolkien, McCaffrey and Novik Compared | Ragna Ó. Guðmundsdóttir 1989- |
| 10.5.2012 | Elements of the Gothic: Falling from nature in Wuthering Heights | Guðbjörg Skjaldardóttir 1973- |
| 20.1.2015 | The Endless Road. On Writing The Road Less Travelled | Hildur Guðbergsdóttir 1984- |
| 31.1.2009 | Everything is illuminated. A Bildungsroman: Expressed through stream-of-consciousness-writing | Wagner, Solveig Lilian 1985- |
Íslenska
