28.5.2010 | "All I Want Is Everything." Alice Munro's Lives of Girls and Women and Margaret Laurence's The Diviners | Łozińska, Martyna, 1984- |
9.9.2010 | "For better or worse, I am Canadian." Demand for Ethnic Recognition in Green Grass, Running Water by Thomas King and Obasan by Joy Kogawa | Rakel Sigurðardóttir 1970- |
18.1.2011 | "Pip in the Pacific." Different Views on Fiction in Lloyd Jones's Mister Pip | Katrín Vilborgardóttir Gunnarsdóttir 1987- |
2.9.2020 | "Wild Nights": Death and Humor in the Poetry of Emily Dickinson | Zélia Catarina Pedro Rafael 1984- |
29.4.2024 | Alternative Intratextual Spatialities in William S. Burroughs's Cities of the Red Night | Joseph Thomas Hobson 1987- |
10.5.2011 | Animal Instincts and the Canadian Beast. Reflections on Sex, War and Survival in Timothy Findley's Not Wanted on the Voyage | Sykes, Brad, 1981- |
2.1.2020 | The Art of Adaptation: The move from page to stage/screen, as seen through three films | Margrét Ann Thors 1987- |
14.5.2009 | Becoming a Woman. The Semiotic and Symbolic, Represented in the Heroine of Wolf by Gillian Cross | Þórný Sigurjónsdóttir 1984- |
5.5.2022 | Beneath Big Brothers Eyes. The Surveillance State in Dystopian Literature and Contemporary Culture | Searles, Alan, 1970- |
6.10.2008 | Bridging the Gap Between Past and Present in Toni Morrison's Beloved | Kolbrún Björk Sveinsdóttir 1973- |
29.4.2022 | A Case for Reading. Fiction as a Key to Empathic Humanity | Dagný Soffía Eyþórsdóttir 1993- |
12.5.2014 | Changing Charlie and the Chocolate Factory | Thor Michael Bergur Leaman 1991- |
13.1.2014 | Cultural Aspects of Translation: The Foreignizing Method. An Introduction to the Translation of Laila Lalami’s Hope and Other Dangerous Pursuits | Rakel Sigurðardóttir 1970- |
26.4.2024 | Dark Doubles and Dual Audience: What Uncanny Doppelgangers in Children’s Literature Teach Readers | Elisa Rebecca Klausmann 1999- |
3.11.2014 | Dissident Voices. Sociocultural Transformations in Sri Lankan Post-Independence Novels in English | Árný Aurangasri Hinriksson 1942- |
1.10.2020 | Emigration and Identity in Contemporary Irish Drama | Coda, Maria Rosaria, 1965- |
3.9.2020 | Emigration and Identity in Contemporary Irish Drama | Maria Coda 1965- |
1.6.2016 | Exploring the Legacy of Halldór Laxness: Contemporary English-Language Perspectives on Iceland's Greatest Twentieth-Century Writer | Brandsma, Elliott J., 1990- |
9.5.2017 | Fish as a Common Denominator? Symbolism in As I Lay Dying by William Faulkner | Gréta Hauksdóttir 1976- |
25.4.2016 | Four American Cultural Institutions in Khalil Gibran’s The Prophet and Charlotte Perkins Gilman’s Herland | Thabet, Hoda, 1972- |
1.2.2012 | Frederick Douglass: A Free Slave | Árný Ösp Arnardóttir 1987- |
10.5.2017 | Frederick Douglass: From Chains of Ignorance to Freedom | Amelía Christine Scholl 1994- |
19.8.2015 | Gender Equality in the Color Purple: From Survival to “Wearing the Pants” | Íris Björk Eysteinsdóttir 1974- |
10.9.2021 | Gender Representation in Adaptations of Works of Sustained Popularity: Little Women and Catch-22 | Elena Zobova 1984- |
4.5.2015 | Headlands: A Short Story Collection | Dennis, Ryan, 1984- |