10.9.2015 | "They Treat Objects Like Women, Man." The Representation and Examination of Feminist Attitudes in the Films of the Coen Brothers | Guðrún Halla Jóhannsdóttir 1990- |
10.5.2017 | Huglægni, Raunsæi og upplifun áhorfandans. Tilfinningaleg samsvörun áhorfanda með persónum kvikmynda | Victor Pétur Ólafsson 1983- |
10.5.2012 | Konur í íslenskum kvikmyndum. Konur sem viðfangsefni og stjórnendur í íslenskum kvikmyndum 1980-2012 | Ívar Björnsson 1990- |
12.5.2014 | Kvenhetjur Quentin Tarantino: Birtingarmyndir kvenna í kvikmyndum leikstjórans | Sara Elísabet Haynes 1987- |
10.5.2013 | Kvöldu kvenhetjur Lars von Trier. Birtingarmynd konunnar í kvikmyndum leikstjórans | Edda Karítas Baldursdóttir 1990- |
19.1.2015 | Noir Guilt Complex. The Death of Women as a Catalyst for Character Development and Plot in the Films of Christopher Nolan | Sverrir Sigfússon 1990- |
12.5.2014 | Órói: Flögrandi á jaðri hinsegin kvikmyndar | Sigríður Ramsey Kristjánsdóttir 1975- |
11.5.2015 | The Postmodern Don Juan Scoring on the Internet. Representation of Gender and Culture of Late Capitalism in the Film Don Jon (2013) | Sóley Arngrímsdóttir 1990- |
10.5.2017 | Restricted by youth and sex: The Intersectionality of Race, Gender, and Class in Toni Morrison's The Bluest Eye | Lísa Björg Attensperger 1995- |
11.5.2018 | The Revival of Film Realism. The case of neo-neo-realism | Arnar Pétursson 1980- |
19.1.2015 | Transfólk í kvikmyndum: Kynjafræðileg greining á birtingarmyndum transfólks | Hrund Ölmudóttir 1990- |
21.1.2013 | Ungfrúin góða og húsið. Kvikmyndaaðlögun | Dalrún Jóhannesdóttir 1989- |
13.12.2019 | The Warm Thrill of Confusion. Clarifying Cult Movies | Egill Atlason 1995- |
9.5.2016 | “A woman's whole life in a single day. Just one day. And in that day her whole life”. Fluid Sexual Identity in Michael Cunningham´s The Hours | Wlodarczyk, Andrzej, 1981- |
30.4.2015 | „Augu mín eru opin.“ Feðraveldi, neyslumenning og kynjaímyndir í Fight Club | Rúnar Bergmann Gunnlaugsson 1991- |