27.4.2021 | Personal Connections and Denying Pleasure: Examining Abstinence and Family in Vampire Fiction | Sunna Mjöll Valdimarsdóttir 1990- |
9.5.2022 | The Prophecy of the inevitable environmental catastrophe is seen in Frankenstein, or, the Modern Prometheus from the perspective of Ecofeminism. | Assel Akhmetzhanova 1983- |
10.5.2021 | Redefining Femininity: Postmodernism, Feminism, and Identity in The Trick Is to Keep Breathing by Janice Galloway | Margarita Danilenko 1992- |
5.1.2022 | Savage Beasts or Gentle Creatures: How Dragons are Viewed in the Temeraire Series | Hildur Mínerva Bjarnadóttir 1998- |
6.5.2022 | Servant characters in King Lear, Othello and The Tempest | Shahzer Ajmal 1992- |
5.5.2021 | Shakespeare's women as catalysts of action: An examination of six female characters who instigate action in Shakespeare's plays | Mina Ribic 1983- |
11.1.2022 | Social media stars: Is it empowering to show your body online and does it have to be? | Sunneva Fjölnisdóttir 1994- |
6.5.2022 | A Storm of Substandard Writing: Analyses on What Went Wrong with the Later Seasons of Game of Thrones | Sunna Þórarinsdóttir 1998- |
2.11.2021 | Stranger than fiction: Dystopian reality of the modern world | Nikita Kukarov 1992- |
7.1.2022 | The "Other" Side: An examination of otherness as a dramatic device and its functions in the works of William Shakespeare. | Ágúst Guðnason 1997- |
11.5.2021 | The Uses of Political Fiction: Ursula K. Le Guin‘s Philosophy of Art‘s Potential for Social Change | Sindri Jóhannsson 1990- |
8.1.2021 | The Witch Rewritten: Terry Pratchett’s Answer to the Portrayal of Witches in Fantasy | Ingibjörg Ásta Tómasdóttir 1994- |
7.5.2021 | Witches in Literature. The changes of the witch figure throughout history | Jóna Kristín Óttarsdóttir Haesler 1998- |