25.4.2016 | Four American Cultural Institutions in Khalil Gibran’s The Prophet and Charlotte Perkins Gilman’s Herland | Thabet, Hoda, 1972- |
9.5.2018 | main() { printf("hello, world\n"); }: An Essay on Kenneth Goldsmith | Mirjam Maeekalle 1993- |
13.1.2015 | Making a Separate Peace: The Evolution of the War Veteran as Literary Hero in Ernest Hemingway’s In Our Time, The Sun Also Rises, A Farewell to Arms, For Whom the Bell Tolls, and Across the River and Into the Trees | Sigurlaug Sturlaugsdóttir 1975- |
6.5.2016 | Obsession in Edgar Allan Poe's Berenice and Ligeia | Sunna Guðný Pálmadóttir 1975- |
6.5.2016 | Painting with Words: Three Visual Poems by E. E. Cummings | Eva Jóhanna Óskarsdóttir 1972- |
9.5.2018 | Sígaretturnar mínar, hringurinn hans og frakki nafnlausa mannsins: tvífarar, hlutverkaleikur og neysla í The Talented Mr. Ripley og Ripley's Game | Ívar Sigurðsson 1994- |
9.5.2011 | The Vampires of Anne Rice. From Byron to Lestat | Ingunn Anna Ragnarsdóttir 1982- |