Vinsamlegast notið þetta auðkenni þegar þið vitnið til verksins eða tengið í það: http://hdl.handle.net/1946/11456
The period between 1920 and 1940 in America was a time of raised awareness for people of color. They began to voice their eagerness to be accepted in their community. At this time black people had broken free from slavery. They were, however, not considered equal to white Americans and still had the ghost of slavery hanging over them. During this time in New York a group of people, black and white, formed an alliance to further their mutual interest to establish an identity for people of color and their acceptance amongst other Americans with the aim of social equality for all citizens of the United States of America. This movement was called the New Negro Movement but later referred to as the Harlem Literary Renaissance movement. The main focus of this essay is on this literary movement and in particular the writers Richard Wright and Nella Larsen. Wright’s novel Native Son (1940) and Larsen’s short stories “Passing” (1929) and “Quicksand” (1928) form the essay’s narrow focus. Wright centralizes on the poor lower class black American in Chicago between the 1920s and the 1930s, where his main character is an African American of a poor working class and the trouble he runs into. Larsen chooses a completely different perspective as she focuses on the dilemma mixed race individuals face belonging to neither the black nor the white race. This essay shows how these two writers address the problem people of color face regarding their identity in their work and places their fiction in the context of the Harlem Renaissance to show how it influenced them.