Vinsamlegast notið þetta auðkenni þegar þið vitnið til verksins eða tengið í það: http://hdl.handle.net/1946/25493
I discuss my understanding on a perception that I refer to as Different levels of thinking and explain my method on filming and editing moving- images referred to as Filming through the mind. Flux of the Mind (2014) and Bathing (2014) are video experiments where I test my method on filming and editing. In the second chapter I will relate my practice with two concepts, duration and intuition by the French theorist Henri Bergson. Than I focus on influences, Burdy on the concept dipostif and Deleuze on the time image and movement image. Deleuze criticized Baurdy for forgetting the forth element of the dipostif or the perception. I relate to three contemporary artist Anri Sala, Bill Viola and Vito Accionci. I discuss both Black as a moving-image and as a poem and how important this work has been for my practice. What differs Black from other works is this constant beat or rhythm. Finally I will describe my latest video installation Fluctuations. Note through the paper different concepts and titles will be marked with italics.
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Fluctuations final.pdf | 711.28 kB | Opinn | Heildartexti | Skoða/Opna |