Vinsamlegast notið þetta auðkenni þegar þið vitnið til verksins eða tengið í það: http://hdl.handle.net/1946/39368
I am flowing through an ocean of memories and walking through a forest of past. Wondering how many of my memories and how much of my past is shared with the earth and resides in the water. In this thesis I will explore the concepts, realities and dramatics of nature and memory and their use in art history, feminism and my own artistic practise. While being constantly aware of how I use the dramatics and spirituality, used most famously in the romantic art period to alter and promote a certain reality. By doing so, I will explore how my thoughts and memories change when I put this romantic filter on top of them. Afterwards, I will be relating topics like symbolism, hydrofeminism, self-awareness and materiality of nature to my memories to divide their layers. I will connect the research to how they are bound in nature and water. More importantly, how the nature and humanity is connected through water in past and present.
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