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Lokaverkefni (Meistara)

Listaháskóli Íslands > Myndlistardeild / Department of Fine art > Lokaritgerðir / Theses (MA) >

Vinsamlegast notið þetta auðkenni þegar þið vitnið til verksins eða tengið í það: https://hdl.handle.net/1946/48166

Titill: 
  • Titill er á ensku An art practice as ecotone: interconnected and embodied art practice, for human connections to the more-than-human world.
Námsstig: 
  • Meistara
Útdráttur: 
  • Útdráttur er á ensku

    Navigating between discipline and medium, this essay draws the landscape where my art practice takes place. In the studio, in the forest or in the gallery, my work as an artist means to reconnect humans to our more-than-human world.
    Feeding my intuition in biology, philosophy, indigenous knowledge, and art, I wrote this essay with the guidance of artists and thinkers such as Robin Wall Kimmerer, Astrida Neimanis, Emilija Škarnulytė, Mark Dion, Guðbjörg R. Jóhannesdóttir, or David Abram, in an attempt to gain a different perspective, away from the prevalent Western world views.
    The experimental approach to the making of artworks, is a method that helps embody the philosophy and science of entanglement that Merlin Sheldrake, Peter Wohlleben or Suzanne Simard write about in relation to the living world.
    This essay reflects on ideas about the current climate crisis, the loss, grief and responsibility of humans towards the living world, and explores the narrative of reconnection and healing of the severed links between the Western world and the living world, through an art practice.

Tengd vefslóð: 
Samþykkt: 
  • 18.6.2024
URI: 
  • http://hdl.handle.net/1946/48166


Skrár
Skráarnafn Stærð AðgangurLýsingSkráartegund 
An art practice as ecotone - Julie Sjöfn Gasiglia.pdf29.09 MBOpinnGreinargerðPDFSkoða/Opna