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9.9.2024Adapt and Die: Ecocriticism and the Lovecraftian Sublime in Rainworld, Outer Wilds, Frostpunk, and FactorioJoy Kumral 1998-
10.9.2018The Angry Male: A Conceptual Analysis of Language Use in the Men's Rights MovementKristensen, Jesper Greve, 1986-
26.4.2023Authorship, Memory, Persona: Autofictional Similarities Between the Works of Søren Kierkegaard and Karl Ove KnausgaardRagnar Jón Hrólfsson 1988-
5.5.2022Beneath Big Brothers Eyes. The Surveillance State in Dystopian Literature and Contemporary CultureSearles, Alan, 1970-
26.4.2024Between Pages and Frames. A Study of Authorship in Adaptation in Charlie Kaufman’s “I’m Thinking of Ending Things”Greta Macionyté 1994-
26.4.2024Dark Doubles and Dual Audience: What Uncanny Doppelgangers in Children’s Literature Teach ReadersElisa Rebecca Klausmann 1999-
15.5.2018Extreme Horror and the Extremely Horrifying: Demystifying Horror Films, Audiences and IntentionsPatterson, Nikkita Hamar, 1986-
6.5.2022Fevers in a Reykjavík Graveyard: A COVID Novella in Modernist IcelandBrendan John Kiernan 1994-
5.5.2015Finding Myself in Fiction: On Writing Second SolsticeElísabet Stenberg 1987-
26.4.2024Gender Representation in Japanese Theatre: From the Onnagata Tradition to Present-day PerspectivesAleksandra Bigbasheva 2001-
30.4.2019The Genre of Folk Tales in the Sephardic Culture. Represented in the Context of Literary Works Collected by Matilda Koén-SaranoDotterweich, Linda Corina Maria, 1991-
2.5.2014Giulietta's Dilemma. An Adaptation and Its CompositionKatrín Vilborgardóttir Gunnarsdóttir 1987-
4.5.2015Headlands: A Short Story CollectionDennis, Ryan, 1984-
25.4.2025Liberia: Exploring Notions of Freedom, Belonging, and Homeland through a Historical NovelApril Lynette Dobbins 1977-
25.4.2025The Mirror and the Shadow: Examining the Role of Villainous Characters in Breaking Bad Through Archetype and MonomythSamuel Patrick O'Donnell 1988-
26.4.2024The Myth of Anne Boleyn: England’s Notorious Queen as Presented in Contemporary Literature and MediaTelma Rós Cavaleiro 1997-
25.4.2025Neo-Historical Drama: A New Television Subgenre as Exemplified by Dickinson, Bridgerton, and My Lady JaneMichelle Chen 1999-
5.5.2021Orphan Trauma and the Narrative of Imagination. Autobiographical Memory, Trauma and Coping Mechanisms in The Alpine Path, Emily of New Moon and Anne of Green GablesKennedy, Amy Anne, 1992-
18.5.2020The Rape of Brunhild - Dismantling Female Transgression and Dominant Ideological Frameworks from the Middle Ages to NowMelanie Waha 1984-
3.5.2022Time Capsule: Fanzines as a Signpost Towards the Cultural ShiftIrina Shtreis 1987-
5.5.2022The Wisdom of the Overlooked: How Trees of Children's and Young Adult Literature Shape the Readers’ Environmental Awareness and AnxietyClaudia Magnússon 1995-
5.5.2014Writing for Money: The Muse and the Market in the English Newspaper Novel from the Nineteenth to Twenty-First CenturiesAsch, Mark, 1984-