10.5.2011 | "I'm not in the mood for a party tonight." The Orwellian Roots of the Pinteresque | Magnús Teitsson 1972- |
20.1.2014 | "More Human than Human." Race, Culture, and Identity in Cyberpunk | Alexandra Mjöll Young 1990- |
10.5.2011 | "You lovely whore." The Portrayal of Women in Harold Pinter’s Plays Night School, The Lover and The Homecoming | Guðrún Baldvina Sævarsdóttir 1980- |
28.4.2009 | A comparative study on short stories by Edgar Allan Poe and Nikolai Gogol | Auður Eva Guðmundsdóttir 1980- |
11.5.2015 | Adapting Traditional Chinese Culture in Amy Tan´s The Joy Luck Club | Xinyuan Zhang, 1988- |
15.9.2010 | The Art of Storytelling in The New York Trilogy | McNamara, Jennifer, 1976- |
12.5.2014 | Blaxploitation Unchained: An historical analysis of Blaxploitation and how Django Unchained fits within the Blaxploitation cycle | Dupree, Marvin Lee, 1980- |
8.5.2012 | Breaking the silence. The search for a voice in Alice Walker‘s The Color Purple | Sigrún Tinna Sveinsdóttir 1987- |
9.5.2012 | The Censorship of Enid Blyton in Two of Her Novels. The Island of Adventure and Five on a Treasure Island | Magnús Björgvin Guðmundsson 1986- |
9.5.2012 | A Confederacy of Dunces and the picaresque: generic considerations | Friðrik Sólnes Jónsson 1979- |
10.5.2013 | Cross Over and Duality. Murakami’s Integration of the Fantastical into the Ordinary | Nandabhiwat, Natsha, 1986- |
11.9.2012 | Don't judge a book by its cover: The Camp and Queerness of Rocky Horror Picture Show | Bjarni Snæbjörnsson 1978- |
10.5.2013 | From Snow White to Tangled: Gender and Genre Fiction in Disney's "Princess" Animations | Íris Alda Ísleifsdóttir 1988- |
9.5.2012 | The Function of Music in Norwegian Wood, from page to screen | Searles, Alan, 1970- |
21.1.2013 | A Generic Study of The Man Who Fell to Earth by Walter Tevis | Kristinn Geir Friðriksson 1971- |
2.5.2014 | Giulietta's Dilemma. An Adaptation and Its Composition | Katrín Vilborgardóttir Gunnarsdóttir 1987- |
12.5.2014 | Heteronormative Villains and Queer Heroes: Queer Representation in the Films of John Waters | Ásta Karen Ólafsdóttir 1990- |
10.5.2011 | In Space, No One Can Hear You Scream 'Authorship!' The Shift of Authorship in the Alien Franchise from the Producer to the Director to the Star | Erlingur Grétar Einarsson 1982- |
10.5.2011 | It Is Always Darkest Before the Dawn. A discussion of three adaptations based on the works of Philip K. Dick | Ásta Arnardóttir 1980- |
10.10.2008 | Jane Austen’s Persuasion: Major and minor characters | Ragnhildur Nielsen 1975- |
11.5.2009 | John Steinbeck's characters. Representing different social and political groups | Rúnar Örn Sævarsson 1985- |
9.5.2012 | Modernizing Shakespeare’s Richard III: Observations on a Number of Recent Adaptations | Kolbrún Gunnarsdóttir 1989- |
6.1.2010 | Mythology to Film: The importance of the Homeric poems to O Brother Where Art Thou | Sveindís Ýr Sveinsdóttir 1978- |
28.4.2009 | Shakespeare’s heroines: An examination of how Shakespeare created and adapted specific heroines from his sources | Lilja Dögg Schram Magnúsdóttir 1981- |
10.9.2010 | Slaying Literature: Metaphor and Characters in Buffy the Vampire Slayer | Óskar Örn Eggertsson 1986- |