| 11.1.2010 | "A spring of love gushed from my heart, And I blessed them unaware." The Ancient Mariner´s Acceptance of the Absurd | Knezevic, Julia Elisabeth, 1977- |
| 28.5.2010 | "All I Want Is Everything." Alice Munro's Lives of Girls and Women and Margaret Laurence's The Diviners | Łozińska, Martyna, 1984- |
| 9.5.2011 | "Banana-mania." Gender Politics in Yoshimoto Banana's Works and Contemporary Japan | Inga Mekkin Guðmundsdóttir Beck 1988- |
| 9.5.2012 | "Bell-Shaped Flowers and Butterflies." Metaphor and Metafiction in Tim O'Brien's Vietnam War Stories The Things They Carried | Sjöfn Holmsted Sigurðardóttir 1970- |
| 16.1.2015 | "Blood and Piss, the Great British Cocktail." A Literary and Sociological Exploration of Football Hooliganism in the 1980s in John King's Novel The Football Factory and Bill Buford's Investigative Journalism in Among the Thugs | Andri P. Guðmundsson 1991- |
| 9.5.2012 | "Brutal only from a distance." War, sports and the limits of language in Don DeLillo's End Zone | Ingibjörg Karlsdóttir 1971- |
| 10.5.2016 | "Cult of the Apron." Gender Representation in Children’s Literature | Guðrún Drífa Egilsdóttir 1988- |
| 5.5.2015 | "Disorderly Order": The Grotesque and the Gothic as Forms of Caledonian Antisyzygy in James Hogg's The Private Memoirs and Confessions of a Justified Sinner and Robert Louis Stevenson's The Strange Case of Dr Jekyll and Mr Hyde. | Júlíus Árnason 1984- |
| 1.7.2011 | "Ég ætla að skíra mína kind Framtíð" : boðskapur íslenskra raunsæisbarnabóka | Nanna Andrea Jónsdóttir |
| 9.9.2010 | "For better or worse, I am Canadian." Demand for Ethnic Recognition in Green Grass, Running Water by Thomas King and Obasan by Joy Kogawa | Rakel Sigurðardóttir 1970- |
| 7.9.2012 | "Frá mínom véom oc vǫngom." An examination of literary representations of the mythological figure of Skaði | Welschbach, Sarah, 1987- |
| 20.1.2017 | "Frightening" Women's Road to Success in Caryl Churchill's Top Girls | Fanney Benjamínsdóttir 1990- |
| 10.5.2011 | "How lucky I am, Lady, not to be the knight you speak of." Sjálfsvitund og kyngervi í Sir Gawain and the Green Knight | Elín Edda Pálsdóttir 1988- |
| 11.1.2010 | "I am not as good a girl as I ought to be." Fallen Women in Charles Dickens' David Copperfield and Oliver Twist | Unnur Kjartansdóttir 1984- |
| 9.5.2012 | "I don’t know nothink." Double standards and dual narration in Charles Dickens’ Bleak House | Kolbrún Ingimarsdóttir 1966- |
| 10.5.2011 | "I'm not in the mood for a party tonight." The Orwellian Roots of the Pinteresque | Magnús Teitsson 1972- |
| 19.5.2009 | "It really won't do you know." Pros and Cons of the Creation and Success of C. S. Lewis’ The Lion, the Witch and the Wardrobe | Eva Dögg Sveinsdóttir 1981- |
| 8.5.2012 | "It's a catastrophe. Relax!" Orðræðugreining á ritdómum um Solar eftir Ian McEwan | Ingólfur Halldórsson 1988- |
| 11.5.2015 | "Jeg kan ikke huske at vi noen gang ikke har vært venner." Analyse av Per Pettersons roman Jeg nekter, og oversettelse av tre kapittler fra boken | Kristín Guðmundsdóttir 1943- |
| 26.4.2018 | "Kärleken saknar genus" Karin Boyes kärleksdikter | Hugrún Rúnarsdóttir 1969- |
| 8.5.2012 | "Little Women" in a Man's World: Louisa May Alcott's Life Reflected in Her Work | Ólafsson, Mary Catherine, 1985- |
| 18.1.2011 | "Pip in the Pacific." Different Views on Fiction in Lloyd Jones's Mister Pip | Katrín Vilborgardóttir Gunnarsdóttir 1987- |
| 10.5.2016 | "Some are Made to Scheme, and Some to Love." William Makepeace Thackeray's Presentation of Women in his Novel Vanity Fair | Thelma Rut Elíasdóttir 1990- |
| 9.5.2011 | "To Hide a Guilty Heart Through Life." Consequences of Matriarchy in Nathaniel Hawthorne's The Scarlet Letter and Kate Chopin's The Awakening | Bryndís Jóna Rúnarsdóttir 1980- |
| 17.1.2019 | "We don't ask what a woman does - we ask whom she belongs to" | Sigrún R. Schou Pálsdóttir 1976- |
Íslenska
