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29.4.2025"I didn't want to be loveless": A Translation of Loveless by Alice Oseman with AnalysisKatla Dögg Traustadóttir 1998-
26.4.2024"You're doing mother's work. Women suffer, don't they?" (A third-wave feminist reading of Pachinko, Half of a Yellow Sun and The Four Winds)Þula Guðrún Árnadóttir 2000-
2.9.2025A gift or a threat? Does English learning need protection from challenges driven by Artificial Intelligence?Anna Kristjana Eyfjörð Egilsdóttir 1973-
16.12.2024Adapting the Homeric Epics for a 21st Century Audience: Gender and Sexuality in Madeline Miller’s Circe and The Song of AchillesRegan Ellen Aarts 2003-
29.4.2024Adapting the Monstrous: The Evolution of Monsters in Japanese Horror Media: Comparative Analysis of Japanese Horror Films from Shōwa Era to ModernityDaniil Romodanovskii 2000-
3.5.2021ADHD and Dyslexia in the Classroom. How can teachers effectively help children with ADHD and Dyslexia reach the same academic results as their peers?Hafrún Ósk Hafsteinsdóttir 1986-
29.4.2024Alternative Intratextual Spatialities in William S. Burroughs's Cities of the Red NightJoseph Thomas Hobson 1987-
5.1.2022Amy March: More than Jo’s Foil : Analysis of Little Women’s Amy MarchAndrea Dögg Gylfadóttir 1994-
10.5.2021Analysis of Old English Impersonal Constructions and their DevelopmentMeltem Olkun 1996-
9.5.2023An Analysis on Kurt Vonnegut's Humor in Cat's Cradle, Slaughterhouse-Five and Slapstick or Lonesome No MoreEgill Sigurðsson 1998-
4.5.2021Aunt Lydia: Feminist Messenger of HopeSigrún Ásgeirsdóttir 1982-
3.9.2024Bearing Witness: Testimony in Zabel Yessayan's "In the Ruins"Dilsa Ritsa Esli 1996-
3.5.2023Before I Forget: Writing A ScreenplayIana Starostina 1996-
30.4.2021Behind the Curtain: On Writing The Fourth WallHogarth, Samuel, 1990-
25.4.2025The Blood-Sucking Parasites of the Upper Class: Vampires as a Metaphor for the Aristocracy in Bram Stoker’s Dracula and Sheridan Le Fanu’s CarmillaDaniella Anands Ásgeirsdóttir 2002-
23.4.2025Bodies do matter A misappropriation of women's empowerment through performative acts of conformity to consumerist ideals of beauty in films and media in popular culture from 1990s to 2000sKimberly Pardillo Zanoria 1997-
4.5.2022Brandon Sanderson's Mistborn Trilogy as a Proppian FolktaleHelgi Gunnar Jónasson 1996-
9.1.2023The Bum’s As Holy As the Seraphim: An Exploration of the Link Between Spirituality and Political Conquest in Allen Ginsberg’s “Howl”Magnús Orri Aðalsteinsson 2001-
29.4.2022A Case for Reading. Fiction as a Key to Empathic HumanityDagný Soffía Eyþórsdóttir 1993-
6.5.2022Characteristics and Applications of Protofeminism in Wuthering HeightsAnna Margrét Bragadóttir 1999-
28.4.2025Chasing Silver Figments: Writing Social Anxiety and GriefEgill Örn Sveinbjörnsson 1993-
7.9.2023Chomsky vs. ChatGPT: An Examination of Chomsky´s Universal Grammar in the Age of Large Language ModelsOddbergur Sveinsson 1980-
9.1.2024Cinderella Perseveres: Classic Fairy Tale in AdaptationPerla Rut Aðalsteinsdóttir 2000-
26.4.2024Colonial Consequences for Indigenous Languages: Australia and New Zealand Through the Lens of Linguistic ImperialismMagdalena Björnsdóttir 1994-
25.4.2025Confined Women in Gothic Landscapes: Analysing Female Entrapment in Gothic FictionDóa Dagný Böðvarsdóttir 1995-