| 23.6.2022 | 1966- MA Composition Final Project 1) Multimedia Opera 2) Critical Reflection | Siv Disa Anderson 1993- |
| 6.2.2018 | 356° and 328° : two interactive compositions | Áki Ásgeirsson 1975- |
| 23.6.2022 | Bor ders | Ana Luisa Diaz de Cossio 1993- |
| 12.6.2018 | Composing as patching : analog synthesis, listening and informed sound | Davidsen, Heðin Ziska, 1977- |
| 22.6.2022 | Creating Inclusion and Diversity in the Music Industry : the role of curation | Ida Nielsen Juhl 1994- |
| 22.6.2022 | The data behind the sound | Robin Morabito 1995- |
| 12.6.2018 | Emotional processing through songwriting | Ingunn Huld Sævarsdóttir 1983- |
| 23.6.2015 | Gleðisamspil : áfangi sem byggir á flutningi, sköpun, frelsi og vali nemenda | Hrafnhildur Hafliðadóttir 1989- |
| 12.6.2018 | The Mouse that ate Fingernails | Park, Sohjung, 1988- |
| 13.6.2017 | Nanas of Sila : a compositional reflection about an Inuit conception | Avila, Alejandra Pineda De, 1984- |
| 23.6.2022 | Negentropic Synthesis | Ronja Jóhannsdóttir 1995- |
| 23.6.2022 | The only object they could retrieve from Earth's lost civilization | Robin Morabito 1995- |
| 12.6.2018 | A reflection on the chamber opera Kornið | Djupedal, Birgit, 1994- |
| 23.6.2022 | Serendipitous Intent | Ida Nielsen Juhl 1994- |
| 14.6.2021 | The Sunflower Man | Martín, Álvar Rosell, 1995- |
| 23.6.2015 | Tónsmíðar sem kennslutæki : leit að nýrri nálgun á grunn- og miðstigi píanónáms | Laufey Kristinsdóttir 1961- |
| 20.2.2020 | “Milli Vídda” : my experience in creating ballet performance | Svetlana Veshchagina 1987- |
Íslenska
